It's You I Like (arr. Zachary J. Moore): 3-Part Mixed Choral Octavo

Zachary J. Moore's arrangement captures the gentle sincerity of Rogers' original while giving it enough rhythmic lift to engage singers and audiences alike. The three-part mixed voicing stays accessible without feeling oversimplified, making this an ideal bridge between unison arrangements and more complex choral work.

Warm, unhurried, and genuinely affectionate. The swing inflection gives it a vintage quality that feels both nostalgic and sincere, never saccharine. There's real tenderness in the harmonies.

This arrangement works for middle school and high school choirs looking for repertoire that's musically engaging but emotionally grounded. It's also valuable for show choirs and select ensembles wanting a contemporary piece with genuine pedagogical substance.

• Lean into the swing feel without rushing it; this song's power comes from its unhurried warmth, not from driving tempo.
• Balance the harmony so Rogers' melody remains the clear focal point even when all three parts are singing together.
• Ask singers to think about the lyrics' specificity: this isn't generic kindness, but intentional recognition of someone's unique self.
• Use the dynamics to shape phrases conversationally, as if the singers are singing directly to someone they care about.

This works beautifully as a concert opener or closer, especially in spring concerts or programs celebrating community values. Consider pairing it with other Rogers compositions or contemporary pieces about acceptance and belonging to create thematic coherence.

• Swing rhythm interpretation and feel
• Balancing melody against supporting harmony
• Legit singing tone with appropriate resonance for the style
• Phrase shaping and dynamic control in lyrical contexts
• Three-part voice independence without sacrificing blend