It's Time: SSA Choral Octavo

Mark Brymer's arrangement strips this pop track down to its emotional core without losing the infectious energy that made it work on screen. SSA voicing opens this tune to a wider range of choirs, and the nine-page length makes it substantial enough to anchor a concert without overwhelming rehearsal schedules.

Uplifting and propulsive, with the kind of forward momentum that keeps audiences engaged from first note to last. The song carries an inherent emotional honesty that connects listeners, making it as effective in concert as it was on the show.

Choirs seeking accessible pop repertoire that resonates with student singers and audiences will find this arrangement immediately gratifying. The SSA voicing makes it viable for middle school through community college ensembles looking to program contemporary music alongside more traditional fare.

• Balance the melody in soprano 1 against the rhythmic support from the lower voices; the arrangement's power comes from locked ensemble precision, not volume disparity.
• Lean into the contemporary phrasing and rhythmic flexibility; classical straight-tone singing will drain the arrangement of its character.
• Pay attention to the text declamation in pop music, where syllables often fall on unexpected beats. Mark these moments in rehearsal to avoid rushing through crucial lyrics.
• Use the digital format to your advantage by looping sections for targeted drill work on tricky rhythmic passages.

Pair this with other contemporary pop selections for a concert that speaks directly to your singers' musical world, or use it as a bridge piece between classical and musical theater sections. The tuneful nature and moderate length make it ideal for spring concerts where you need repertoire that balances artistic merit with genuine crowd appeal.

• Contemporary phrasing and rhythmic flexibility in pop idioms
• Blend and balance in three-part writing with active lower voice lines
• Expressive text delivery in songs with narrative content
• Ensemble precision in syncopated rhythmic figures