It's The Girls (Medley) Sheet Music Preview

It's The Girls (Medley): SSA Choral Octavo

As performed by Andy Kim / As performed by Bette Midler / As performed by Michael Bublé / As performed by Ronettes / Arranged by Mac Huff

Item: 35-DS00308426

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Additional Details
Publisher: Hal Leonard
Page Count: 21
SKU: 35-DS00308426

More about this title

About the Artist: Andy Kim

Andy Kim emerged as a pop and rock force in the 1970s with infectious hooks and memorable melodies that defined the era. His songwriting sensibility and vocal charisma made him a fixture on radio and concert stages, establishing him as a reliable craftsperson of commercially appealing music that resonates across generations.

Kim's work has endured because it captures the spirit of accessible pop music without sacrificing craft. His contributions to popular music continue to influence how arrangers approach familiar material, making his catalog a natural fit for choral settings that need songs with genuine melodic and emotional appeal.

Why we love this

Mac Huff's arrangement strings together beloved voices and eras into a medley that feels cohesive rather than choppy, which takes real arranging skill. The SSA voicing opens this material to more singers without losing the sophistication that comes from working with material originally written for pop vocals.

What to expect

Energy and nostalgia in equal measure. The medley structure keeps momentum high while tapping into genuine affection for songs that defined multiple decades of popular music. There's an unpretentious joy in singing material this recognizable; audiences lean in the moment they hear the opening notes.

Who it's for

Choirs with solid blend and rhythmic training who want to program accessible pop material that audiences recognize immediately. This works equally well for high school and college ensembles looking to showcase contemporary arrangements alongside traditional repertoire.

How to get the most out of it

  • Map out the stylistic shifts between songs before rehearsal so singers understand they're shifting characters and energy, not just hitting new notes. A brief listen to original recordings helps singers internalize what each section should feel like.
  • Balance the blend when trading solo or featured lines among sections; these pop melodies live in the foreground, so resist the instinct to make everything uniform in volume.
  • Lock the rhythmic precision in the rock-influenced sections by drilling the ensemble on exact articulation and release points. Pop grooves fall apart quickly if singers lag or push slightly.
  • Let the text phrasing drive your tempo choices within each section rather than squeezing everything into a single tempo. The medley structure gives you permission to breathe between songs.

How to use it

Consider placing this on a concert celebrating American pop music, or use it as a pops set closer that leaves audiences smiling. The 21 pages give it substantial presence without consuming your entire second half, making it an ideal anchor for a medley-focused concert segment.

Skills your students will build

  • Singing across multiple stylistic registers within a single piece
  • Rhythmic precision in pop and rock idioms
  • Blending pop-influenced melodic lines while maintaining clarity
  • Sustaining energy and focus through multiple key and tempo changes
  • Connecting textual and melodic phrasing to original artists' interpretations

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