It's My Own Fault Darlin' Sheet Music Preview

It's My Own Fault Darlin': Guitar Tab

As performed by B.B. King

Item: 35-DS01964056

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS01964056

More about this title

About the Artist: B.B. King

B.B. King shaped modern blues guitar through decades of touring, recording, and mentorship. His signature approach to bent notes, vibrato, and call-and-response phrasing became a universal language for blues musicians across genres. King's influence extends far beyond his own discography; his techniques and emotional directness established standards that jazz, rock, and soul guitarists continue to study and absorb.

Why we love this

This track gives students a direct window into King's most essential vocabulary: expressive bending, rhythmic phrasing that sits behind the beat, and the way a single string can carry a complete emotional narrative. The five-page tab layout captures both the main ideas and the variations King would layer in, making it an ideal reference for understanding blues guitar as a language of nuance rather than speed.

What to expect

Introspective and direct, with a conversational quality that unfolds over five pages. The piece balances vulnerability with assured technique, inviting the player into the personal narrative that King delivers without fanfare or excess.

Who it's for

Guitar students exploring blues phrasing and expressive technique will find tangible models here. Intermediate players building an understanding of how blues guitarists use the bend as a primary voice rather than an ornament benefit most from this material.

How to get the most out of it

  • Study the timing of King's bends by listening repeatedly before trying to match the exact pitch and duration; his intonation is deliberate and often sits slightly sharp or flat for expressive effect.
  • Pay attention to where the vibrato begins and how long it sustains in each phrase; this detail separates casual playing from authentic interpretation.
  • Let the tab guide your left-hand position, but treat it as a starting point for exploring how different finger placements affect tone and sustain.

How to use it

Assign this as a listening and transcription study for guitarists working through a blues history unit. It also serves as source material for improvisation classes, where students can internalize King's phrasing habits and apply them to new harmonic contexts.

Skills your students will build

  • Expressive bending with precise intonation control
  • Vibrato timing and depth variation
  • Phrasing behind and ahead of the beat
  • Call-and-response form recognition
  • Tab reading for single-note melodic content

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