It's De-lovely: B-flat Tenor Saxophone Sheet Music Preview

It's De-lovely: B-flat Tenor Saxophone: Choral SoundPax

Words and music by Cole Porter / arr. Jay Althouse

Item: 00-PC-0015375_TX1

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Description
Originally appearing in Cole Porter's 1936 musical Red, Hot, and Blue, this flirtatious duet was also featured in Anything Goes, recently revived on Broadway. Jay's light swing approach makes this classic come alive for today's singers.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, It's De-lovely: B-flat Tenor Saxophone: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
SKU: 00-PC-0015375_TX1
Instrumentation: SoundPax

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist who dominated Broadway and Hollywood musicals from the 1920s through the 1950s. His sophisticated harmonies, witty lyrics, and elegant melodies set the standard for the Great American Songbook and continue to anchor standards repertoires in jazz, cabaret, and choral settings.

Porter's gift for blending sophistication with accessibility made his songs ideal for both professional performers and student singers. His works remain central to music education because they teach proper phrasing, harmonic awareness, and the art of storytelling through song.

Why we love this

Jay Althouse's arrangement captures the charm of Porter's original without losing the song's wit and elegance. This version sits comfortably in a contemporary choral context, giving student singers a real taste of the style and sophistication that made Porter legendary.

What to expect

Urbane and playful, with the kind of easy sophistication that feels both timeless and immediate. The melody glides over Porter's elegant harmonies with a winking charm that makes singers and audiences alike smile.

Who it's for

Choirs seeking Broadway standards that work for mixed ensembles at the high school through adult community level. This arrangement suits groups comfortable with light swing and interested in adding American musical theatre repertoire to their concerts.

How to get the most out of it

  • Maintain the swing feel throughout without letting it become sluggish; the rhythm section (available as recorded accompaniment) should sit slightly ahead of the beat to create lift and buoyancy.
  • Shape the melody with clear phrase arcs rather than hitting every note with equal weight; Porter's lyrics guide the phrasing naturally when you follow the verbal rhythm.
  • Balance blend with character in the duet sections; both voices need distinct personalities while still blending as an ensemble unit.
  • Sing through the harmonic movement with awareness of the chord changes; this trains ear and intonation while honoring Porter's sophisticated voice-leading.

How to use it

Perfect as a concert opener or closer that signals a shift into American songbook material. It also works well alongside other standards or as a palate cleanser between heavier choral works, giving audiences a moment of theatrical fun while your ensemble displays its versatility.

Skills your students will build

  • Singing with swing articulation and rhythmic precision
  • Navigating Porter's chromatic and sophisticated harmonic language
  • Balancing solo and ensemble singing in duet textures
  • Shaping long melodic lines with clear phrase intention
  • Developing interpretive choices that honor both the original and the arrangement

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