It's Beginning To Look Like Christmas (arr. Mark Hayes) Sheet Music Preview

It's Beginning To Look Like Christmas (arr. Mark Hayes): 2-Part Choral Octavo

By Meredith Willson / Arranged by Mark Hayes

Item: 35-DS00147709

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00147709

More about this title

About the Composer: Meredith Willson

Meredith Willson (1902-1984) was an American composer, librettist, and conductor best known for his Broadway musicals, particularly "The Music Man." His gift for melody and theatrical storytelling made him one of the most performed composers in American musical theater. Willson understood how to write music that audiences loved immediately, and his songs have remained standards in the repertoire for decades.

Why we love this

Mark Hayes captures the warmth and accessibility of Willson's melody in a 2-part arrangement that works for developing choirs without sacrificing musicality. The 13-page length is substantial enough to feel like a real piece while remaining manageable for holiday rehearsal schedules. This arrangement brings genuine musical substance to a beloved tune that your singers will be excited to perform.

What to expect

Nostalgic and genuinely joyful, this piece carries the cinematic warmth of mid-century American music. The melody is instantly recognizable, and the 2-part writing creates harmony that feels natural rather than labored, allowing singers to enjoy the experience of blending voices around a tune everyone knows.

Who it's for

This arrangement serves choirs at the developing 2-part level, including middle school choirs, beginning high school choirs, and community choirs that want a recognized holiday standard without advanced harmonic complexity. It works equally well for all-female, all-male, or mixed voices at this voicing.

How to get the most out of it

  • Emphasize the lyrical quality of the melody line; this arrangement rewards sustained, connected phrasing over rhythmic precision alone.
  • Balance the two parts carefully during sections where they move independently so neither voice disappears into the accompaniment.
  • Let the familiar tune shine without over-rehearsing stylistic details; singers often nail this piece quickly once they trust their part-singing.

How to use it

Place this early in your holiday concert where it can set a cheerful, accessible tone and engage audiences immediately with its familiarity. It pairs naturally with other seasonal favorites and works as either a feature piece or part of a longer holiday medley programming.

Skills your students will build

  • Part independence in 2-part writing
  • Phrasing sustained melodic lines
  • Voice balance and blend in layered texture
  • Reading and executing Hayes's clear harmonic writing

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