It's Been A Long, Long Time (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

It's Been A Long, Long Time (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Jule Styne / Arranged by Jim Beloff

Item: 35-DS01532138

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It's Been A Long, Long Time (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01532138

More about this title

About the Artist: Jule Styne

Jule Styne composed for Broadway and Hollywood during the Golden Age of American songwriting, crafting melodies that balanced sophistication with immediate appeal. His gift for writing memorable hooks made him a favorite among performers across genres, and his work remains a cornerstone of the jazz and popular song repertoire.

Why we love this

Jim Beloff's arrangement captures the nostalgic warmth of this 1945 standard while keeping the ukulele front and center. The single page format makes it accessible for students still building their repertoire, yet the song's harmonic sophistication rewards both player and listener.

What to expect

There's a tender nostalgia woven through this tune. The harmonic language feels both familiar and warm, with moments of gentle sophistication that remind you why this song has endured for nearly eighty years.

Who it's for

Ukulele students with solid chord changes and comfortable reading skills will find this arrangement engaging without overwhelming. It works equally well for classroom use, ensembles, or solo recital preparation.

How to get the most out of it

  • Sing the melody to yourself before playing to internalize the shape and phrasing; this lyrical quality should guide your touch at the ukulele.
  • Balance your chord voicings so they support rather than overshadow the tune. Stye wrote this to be singable, so keep the accompaniment lean.
  • Let rubato breathe naturally through the section marked with space. The song asks for flexibility, not metronomic precision.
  • Pay attention to dynamics marked in the score. Even on a single page, shaping the intensity from verse to final phrase deepens the emotional arc.

How to use it

Pair this with other jazz standards from Beloff's Daily Ukulele collection to create a short set exploring the Great American Songbook through the ukulele lens. It also works as a thoughtful solo piece in a mixed recital or as a duet opportunity with voice.

Skills your students will build

  • Reading and voicing jazz changes on ukulele
  • Executing rubato and flexible phrasing
  • Balancing melody and accompaniment in a jazz arrangement
  • Understanding harmonic substitutions common to standards

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