It's All Right With Me (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

Jim Beloff's ukulele arrangement distills a sophisticated jazz standard into something immediately playable without sacrificing Porter's harmonic sophistication. The two-page layout makes this accessible for intermediate players while preserving enough musical substance to hold adult ears.

Urbane and gently swinging. There's a cocktail lounge ease to the tune, undercut by Porter's clever harmonic moves that keep things from becoming predictable. The melody sits naturally under the fingers while the changes reward thoughtful listening.

Intermediate ukulele players seeking jazz repertoire beyond basic strum patterns, and adults working through The Daily Ukulele series who want a taste of Porter's songwriting craft. This works well for players developing their ability to navigate moving chord changes with grace.

• Lean into the syncopation in the melody; these rhythms define the jazz character and need clarity rather than a metronomic feel.
• Pay attention to any chromatic passing tones in the chord changes, as they're part of what makes Porter's harmony interesting at this level.
• Allow rubato in the phrase endings if the arrangement permits it; Broadway standards benefit from a conversational, unhurried approach.

Feature this in a jazz or standards showcase where your ensemble can highlight solo voices alongside ensemble ukuleles. Pair it with other Porter songs for a focused program unit on American musical theater songwriting, or slot it into a general concert when you want something sophisticated that still feels intimate.

• Reading jazz chord symbols and substitutions
• Executing jazz rhythms and syncopation on ukulele
• Navigating chromatic movement in harmonic progressions
• Balancing melody articulation with underlying groove