It's All Right with Me: Jazz Ensemble Conductor Score

Gordon Goodwin's re-orchestration transforms a beloved standard into a vehicle for serious big band chops. The chart balances sophistication with swing, demanding precision from your section leaders while giving soloists room to breathe and build momentum. It's the kind of arrangement that elevates a good band into something really swinging.

A sophisticated, propulsive groove anchors this arrangement. The harmonic language is richer than typical big band fare, with chord extensions and reharmonizations that keep both ensemble and soloist engaged. It swings with purpose and direction, never settling into autopilot.

This conductor score is for experienced jazz ensembles with strong section leaders and soloists who can handle the harmonic density and swing articulation at this level. Directors programming for advanced jazz festivals, concert performances, or showcase events will find a chart that sounds polished and contemporary while honoring the Porter standard.

• Lock the rhythm section tight on the groove; this chart's swing feel depends on locked pocket between drums, bass, and piano.
• Give alto 1 and the optional flute double time to coordinate their parts; the writing requires seamless handoffs between voices.
• Let soloists know they have room to explore within the form; Goodwin's arrangements thrive on well-paced, confident improvisation.
• Balance ensemble clarity with forward momentum; the harmonic richness can muddy if the band pushes too hard into the chords.

Program this as a concert centerpiece where your band can demonstrate both ensemble precision and solo strength. It pairs well with other Goodwin charts or with contemporary jazz compositions; the advanced harmonic language and recorded reference track make it an excellent anchor for a jazz standards set.

• Reading and executing complex harmonic extensions and jazz voicings
• Maintaining steady swing articulation and rhythmic precision in ensemble passages
• Coordinating section parts with quick doubles (alto 1 and flute on alto 2)
• Soloing confidently over sophisticated chord changes
• Balancing blend and projection in a complex harmonic environment