It Only Takes A Moment Sheet Music Preview

It Only Takes A Moment: SSA Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00254719

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00254719

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw brings decades of choral expertise across the United States and internationally, having conducted clinics in 45 states plus Canada, Australia, the Bahamas, Sweden, The Netherlands, Italy, Spain, and Germany. His formal training includes degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington. His teaching combines rigorous musicianship with infectious humor and accessibility.

A prolific composer and arranger with over 2500 works in print, Shaw's music has sold nearly 20 million copies worldwide and earned multiple ASCAP awards. His career spans founding and directing acclaimed vocal jazz ensembles at College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City. He has studied improvisation directly with jazz legends Bobby McFerrin, Al Jarreau, and Jon Hendricks, and currently directs the Jefferson State Choral Coalition at Southern Oregon University.

Why we love this

Shaw's touch transforms this beloved Broadway standard into an arrangement that honors the melody while giving SSA ensembles genuine substance to sink their teeth into. The three-page format makes it accessible for groups preparing concert programs on tight schedules, yet the voice leading and harmonic choices keep it musically sophisticated enough that singers stay engaged throughout rehearsal.

What to expect

Tender and unhurried, with a gentle lilt that captures the romantic optimism of the original. The arrangement invites singers into intimate storytelling rather than grand gesturing, making space for personal connection to the text.

Who it's for

High school and community choirs seeking a recognizable, audience-friendly selection that doesn't compromise musical integrity. Groups building mixed concert programs will find this flexible enough to program with contemporary fare or classical pieces alike.

How to get the most out of it

  • Balance the soprano line so it floats above the inner voices without forcing; the song's warmth comes from blended harmonies, not exposed high notes.
  • Let the text drive your phrasing rather than pushing through written measures mechanically. This is a conversational piece, so breathe where the meaning naturally breaks.
  • Work the ensemble unison passages with intentional care. Intonation locks when singers commit to the pitch with confidence, not tentativeness.

How to use it

Program this for spring or winter concerts when your audience needs something heartfelt but not heavy. Its Broadway pedigree makes it an excellent bridge piece between art song and contemporary selections, or it can anchor a themed set exploring film and musical theater standards.

Skills your students will build

  • Balancing soprano-dominant textures while maintaining three-part independence
  • Sustaining musical line through longer phrases without sacrificing vowel consistency
  • Interpreting lyrical text with authenticity in an arranged context

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