It'll All Blow Over (from Cabaret) Sheet Music Preview

It'll All Blow Over (from Cabaret): Piano Vocal

Item: 35-DS02021990

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS02021990

More about this title

About the Creator

John Kander and Fred Ebb created the score for Cabaret in 1966, crafting one of musical theater's most incisive and darkly comedic soundtracks. Their collaboration produced a work that captures the moral ambiguity and decadence of 1930s Berlin with unflinching honesty, using music as both entertainment and social commentary. Kander's sophisticated harmonic language and Ebb's sardonic, perfectly timed lyrics made them one of Broadway's most formidable songwriting teams.

Why we love this

This number showcases Ebb's gift for writing lyrics that sound conversational while carrying real dramatic weight. The accompaniment sits comfortably for singers working at an intermediate level, and the song's cynical charm makes it a standout audition choice or program opener that lands with genuine impact.

What to expect

Urbane and slightly dangerous, with a vein of dark humor running underneath the surface charm. The music has that distinctly 1930s Berlin cabaret flavor; it draws you in with sophistication before the lyrics remind you that optimism here is really just denial.

Who it's for

Singers developing their musical theater repertoire and looking for material with genuine character and depth. This works equally well for classroom performance, cabaret programs, or audition preparation for performers seeking songs that showcase maturity and interpretive skill.

How to get the most out of it

  • Treat the rhythm with conversational ease rather than strict metronomic precision; the best performances sound like someone genuinely talking their way through a rationalization
  • Let the piano part breathe between vocal phrases instead of filling every silence, which gives the song room to feel intimate and conspiratorial
  • Shape the dynamics to build subtle tension rather than playing at one dynamic level; this understatement makes the darker subtext more effective

How to use it

Place this as a solo showcase in a Broadway or musical theater concert, where its sardonic tone provides sharp contrast to more earnest material. It works beautifully in programs exploring darker or more sophisticated musical theater moments, or as a solo vehicle for a vocalist ready to tackle material with psychological complexity.

Skills your students will build

  • Navigating theatrical subtext and finding authenticity in cynical material
  • Phrasing lyrics naturally while maintaining musical precision
  • Accompanying a vocalist as a collaborative partner rather than strict timekeeper
  • Balancing vocal projection with intimate, character-driven storytelling

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