It is Morning Senlin Says (Mixed Choir) Cover Image

It is Morning Senlin Says (Mixed Choir): Mixed Voices (SSATTBB)

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It is Morning Senlin Says (Mixed Choir) Cover Image

It is Morning Senlin Says (Mixed Choir): Mixed Voices (SSATTBB)

By Eriks Ešenvalds/Words by Aiken Conrad (1889 - 1973)

Item: 98-MB3785

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Description
It is Morning Senlin Says is an a cappella work based on a text by the American writer and poet Conrad Aiken (1889-1973) and written in honour of Rochester native Mark Callahan. Premiered on 11 and 12 March 2-23, Choral Arts Ensemble and its director and founder Rick Kvam

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Additional Details
Publisher: Musica Baltica
Page Count: 12
ISBN10: 0-26-503121-4
ISBN13: 979-0-2650-3121-5
UPC: 0
SKU: 98-MB3785
Instrumentation: SSAATTBB

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral works have established him as one of the most performed contemporary voices in choral music. His compositions, often setting texts by major poets and writers, balance accessibility with harmonic sophistication and are built on careful attention to text-word relationships and emotional arc.

Why we love this

Ešenvalds brings a rare combination of lyrical warmth and harmonic depth to this setting of Conrad Aiken's evocative poem. The a cappella texture gives the text room to breathe while the SSAATTBB voicing provides natural opportunities for sectional color and dialogue without forcing the writing into thick, unwieldy chords.

What to expect

Morning light filtered through careful language. Ešenvalds sets Aiken's meditative poem with harmonic colors that shift like changing light, sometimes luminous, sometimes introspective, creating a sense of quiet awakening and contemplation.

Who it's for

Directors programming sophisticated a cappella repertoire for mixed choirs with solid vocal blend and intonation. This work suits ensembles comfortable navigating contemporary harmonic language and committed to collaborative, text-driven interpretation.

How to get the most out of it

  • Shape the phrase contours around the poem's imagery rather than musical barlines; Aiken's language carries its own momentum and the score invites singers to follow the words first.
  • Balance the seven vocal lines by thinking of timbral color as much as dynamic level. Upper voices need clarity without hardness; lower voices anchor without muddiness.
  • Attend carefully to intonation in the a cappella sections where parallel motion or unexpected harmonic shifts might tempt the ensemble to drift. Mark tuning reference points in rehearsal.

How to use it

A natural fit for programs exploring contemporary American poetry through music or concerts centered on intimacy and restraint. The 12-page score and a cappella format make it ideal for chamber choral concerts or as a reflective anchor in a longer program.

Skills your students will build

  • Singing sustained a cappella without instrumental support while maintaining tuning and blend
  • Interpreting contemporary harmonic language and voice leading across seven parts
  • Responding to poetic text as the primary structural and expressive driver
  • Balancing seven independent lines while creating unified ensemble sound

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