It Is Good Sheet Music Preview

It Is Good: SATB Choral Octavo

By Lynn DeShazo / By Wes Tuttle / Arranged by Harold Ross

Item: 35-DS00133342

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00133342

More about this title

About the Composer: Lynn DeShazo

Lynn DeShazo is a prolific composer and arranger whose work spans contemporary Christian music, congregational song, and choral repertoire. Her compositions emphasize accessibility without sacrificing musical substance, making her a trusted voice in church music programs and choral festivals across North America.

DeShazo's collaborative approach to composition, often working with other musicians and lyricists, reflects her deep understanding of what singers need: clear vocal lines, meaningful text setting, and arrangements that serve the ensemble rather than overshadow it.

Why we love this

This piece offers singers a contemporary text with genuine spiritual depth, set to music that feels singable without being simplistic. The arrangement captures warmth and conviction in equal measure, making it equally effective in a Sunday morning service or a choral concert program.

What to expect

Affirmative and grounded, with warmth that comes from genuine conviction rather than sentimentality. The harmonic language sits comfortably in contemporary idiom while maintaining clarity and emotional directness.

Who it's for

Choirs seeking contemporary sacred repertoire that appeals to both traditional and modern worship settings will find this accessible and musically rewarding. The SATB voicing accommodates most community and church choirs, and the straightforward part writing means minimal rehearsal time before the piece sounds polished.

How to get the most out of it

  • Let the text shape your phrasing as much as the melodic line. The message of affirmation runs strongest when singers understand and deliver each phrase with intention.
  • Balance the parts so no single voice dominates; the strength comes from blend and cohesion across all four voices.
  • Consider your tempo choice carefully. This piece breathes best when given space to resonate, so avoid rushing the harmonic movement.
  • Pay attention to vowel consistency within each section, especially in unison passages, to create a unified sound that projects the conviction this piece demands.

How to use it

Anchor a choral concert segment devoted to faith and affirmation, or program it as a concert opener that sets an uplifting tone. It also serves well in worship contexts where a choir anthem needs to reinforce a message of hope or blessing.

Skills your students will build

  • Singing contemporary harmonic language with confident intonation
  • Balancing four independent vocal lines while maintaining textual clarity
  • Connecting text to musical interpretation in sacred music
  • Working with rhythmic precision in modern choral writing

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