It Had To Be You Sheet Music Preview

It Had To Be You: Ukulele

By Isham Jones / By Gus Kahn

Item: 35-DS00296201

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00296201

More about this title

About the Composer: Isham Jones

Isham Jones (1894-1956) was a bandleader, violinist, and composer who shaped the sound of American popular music during the 1920s and 1930s. His compositions bridged the gap between jazz innovation and accessible melody, making him one of the most recorded artists of the early recording era. Jones understood how to write for instrumental color and ensemble balance, skills that translate beautifully to arrangements across many instruments and ensemble types.

Beyond his commercial success, Jones left behind a catalog of standards that have endured because of their harmonic sophistication and singable lines. His work with lyricist Gus Kahn produced some of the Great American Songbook's most memorable tunes, including "It Had To Be You," a song that captures the romantic optimism of the Jazz Age while remaining emotionally direct.

Why we love this

This arrangement works equally well for a ukulele student sight-reading a new standard or for an ensemble piece that brings warmth to a concert program. The three-page format respects the ukulele's natural range while preserving the song's harmonic sophistication, which means players improve their chord vocabulary without struggling against the instrument's limitations.

What to expect

Nostalgic and tender, this standard carries the optimism of the 1920s without feeling dated. The melody blooms over jazz harmonies that shift and surprise, creating a song that sounds effortless on the surface but rewards close listening with harmonic twists and emotional depth.

Who it's for

Ukulele players working through jazz standards and lead sheets will find this arrangement accessible yet musically substantial. Intermediate students benefit from the three-page format, which builds stamina and pattern recognition without overwhelming. Wedding musicians, coffee house performers, and community ensembles looking for repertoire with emotional depth and immediate audience appeal will find this a reliable addition to their books.

How to get the most out of it

  • Treat the melody with rubato in the opening phrase; the song's lyrical quality comes through when you breathe with the phrasing rather than metronomic precision.
  • Pay attention to any chord voicings that ask you to reach across the fretboard; these moments reward precise finger placement and reward the listener with richer harmonic color.
  • Listen back to classic recordings (Bing Crosby, Billie Holiday, Frank Sinatra) to internalize how the song sits rhythmically; jazz standards have hidden swing elements that sheet music alone won't always capture.
  • Balance your right-hand technique so that sustained chords bloom rather than decay; this song lives in its harmonic movement, and clean sustain makes that movement audible.

How to use it

Pair this with other ukulele solos for a refreshing encore set or feature it alongside a small jazz ensemble for texture and intimacy. It also works beautifully as a palate cleanser in a concert heavy with contemporary repertoire, reminding audiences that jazz standards remain as valid and moving as newer material.

Skills your students will build

  • Reading jazz chord symbols and implied harmony
  • Managing single-line melody and accompaniment simultaneously on one instrument
  • Recognizing and executing swing rhythms in a standard tune
  • Sustaining tone quality across chord changes and longer phrases
  • Interpreting rubato and phrasing in a lyrical standard

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