It Had Better Be Tonight Sheet Music Preview

It Had Better Be Tonight: SATB Choral Octavo

As performed by Michael Buble / Arranged by Kirby Shaw

Item: 35-DS00263107

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00263107

More about this title

About the Artist: Michael Buble

Michael Bublé built his career on a sophisticated command of American songbook standards, bringing a modern sensibility to timeless material. His interpretations of classic jazz and pop repertoire have made him one of the most commercially successful vocal artists of the 21st century, with particular strength in arranging and performing works that demand both technical precision and genuine emotional connection.

Why we love this

Kirby Shaw's arrangement captures the elegance and vocal polish that defines Bublé's original while creating genuine four-part writing that respects each voice. This is sophisticated pop arranging for choirs that can handle the style; the harmonies are clean, the rhythmic energy is infectious, and singers leave rehearsal feeling like they've performed something substantial rather than novelty.

What to expect

Urbane and charming, with the kind of effortless sophistication that only sounds easy after careful rehearsal. The piece glides forward with swing and warmth, inviting the audience into an intimate moment before landing with a satisfying, confident finish.

Who it's for

Choirs with solid SATB blend and the ability to navigate contemporary harmonic language will thrive with this arrangement. It works equally well for concert choirs seeking sophisticated pop repertoire and show choirs looking for a classy opener or closer.

How to get the most out of it

  • Shape the phrasing in phrases, not measures. The rhythmic feel should breathe across four or eight bars at a time, mirroring how a vocalist would phrase the melody rather than chopping it into square sections.
  • Balance the inner voices with care during the SATB sections. Alto and tenor lines often carry important harmonic color; resist the temptation to let them disappear under soprano or bass.
  • Communicate the stylistic context in early rehearsals. Singers perform better when they understand they're executing a contemporary jazz/pop arrangement, not a hymn tune or art song.

How to use it

Pair this with other standards arrangements or contemporary vocal pop to create a cohesive set that showcases your choir's versatility. It's an ideal selection for spring concerts where you want to demonstrate both polish and accessibility to audiences beyond traditional choral repertoire enthusiasts.

Skills your students will build

  • Legit jazz phrasing and stylistic interpretation of contemporary pop standards
  • SATB balance in four-part writing with active inner voice lines
  • Syncopation and rhythmic precision within a swinging harmonic context
  • Vocal control in sustained passages within a contemporary vocal style

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