It Had Better Be Tonight Cover Image

It Had Better Be Tonight: SSA Choral Octavo

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It Had Better Be Tonight Cover Image

It Had Better Be Tonight: SSA Choral Octavo

Recorded by Michael Buble

Words by Johnny Mercer, music by Henry Mancini / arr. Alan Billingsley

Item: 00-28676

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Description
It's a spicy Latin flavored number as recorded by Michael Bublé. And here's the surprise: it was written by legendary songwriters Henry Mancini and Johnny Mercer! This hot, rhythmic arrangement captures the excitement of the Bublé version in a full-fledged choral style.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081312200
SKU: 00-28676

More about this title

About the Composer: Henry Mancini

Henry Mancini (1924-1994) shaped American popular music across film, television, and the concert hall. His gift for melody and orchestration defined the sound of mid-century entertainment, from the "Pink Panther" theme to "Breakfast at Tiffany's." Mancini's fluency across jazz, classical, and popular idioms made him one of the most recorded composers in history and a natural fit for music education repertoire that engages students in sophisticated, recognizable material.

Why we love this

Billingsley's arrangement captures the infectious energy and rhythmic drive of the Bublé recording while remaining playable for choral ensembles without professional rhythm sections. The chart sits squarely in contemporary popular idiom, which means your singers will recognize it, care about the material, and understand why precision and stylistic awareness matter in performance.

What to expect

Sophisticated and sultry with an undercurrent of playfulness. The Latin percussion and jazz harmonies create an atmosphere of elegant nightclub entertainment, sophisticated enough for mature audiences yet immediate and fun enough to energize students in performance.

Who it's for

Choral directors seeking repertoire that connects with student singers and audiences alike. Strong for middle school and high school programs with ensemble confidence in rhythm and the ability to handle contemporary pop idiom with musical maturity.

How to get the most out of it

  • Nail the rhythmic precision in the Latin sections. This music lives and dies by groove; lock the accompaniment track early in rehearsal and drill against it rather than letting the choir naturally float.
  • Balance the spice in 'spicy Latin flavored' by clarifying the lyrical melody line even when the accompaniment is full and busy. The vocal line must cut through without belting.
  • Mark dynamics carefully in rehearsal. This arrangement likely has moments of restraint that set up the climactic sections; resist the urge to sing at full volume throughout.

How to use it

This works as a standout opener or closer for a pop-focused concert, especially paired with other swing or Latin standards. It's equally effective as a crowd-pleaser in mixed-repertoire settings where you want to bracket classical or art song selections with something contemporary and rhythmically alive.

Skills your students will build

  • Singing with stylistic awareness in jazz and Latin idioms
  • Maintaining rhythmic precision and groove against accompaniment
  • Balancing vocal blend while projecting a melodic line through complex harmonic textures
  • Singing with rhythmic independence in SSA voicing while honoring written articulations

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