It Came Upon A Midnight Clear (arr. Harold Ross): SATB Choral Octavo
It Came Upon A Midnight Clear (arr. Harold Ross) Sheet Music Preview

It Came Upon A Midnight Clear (arr. Harold Ross): SATB Choral Octavo

As performed by MercyMe / Arranged by Harold Ross

Item: 35-DS00262156
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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00262156

More about this title

About the Artist: MercyMe

MercyMe is a contemporary Christian rock band founded in 1999, known for blending pop sensibility with faith-driven lyrics and accessible melodies. Their work spans studio albums, live recordings, and film soundtracks, reaching audiences across both Christian and mainstream markets. In the context of choral arrangements, their involvement signals music that connects traditional forms with modern ears.

Why we love this

Harold Ross's arrangement respects the carol's lyrical weight while filtering it through a contemporary lens that resonates with singers and audiences who live in today's musical world. The SATB voicing sits comfortably for mixed ensembles without requiring dramatic vocal ranges, making it accessible for both dedicated choirs and smaller programs looking to expand their Christmas repertoire beyond the standard fare.

What to expect

The familiar melody carries its contemplative quality while the harmonic surroundings refresh it with modern sensibility. Singers experience both the comfort of the well-known tune and the interest of discovery in how Ross has reimagined the supporting voices.

Who it's for

This works for any SATB ensemble seeking a thoughtfully arranged Christmas carol that feels both rooted in tradition and alive in contemporary style. It suits programs that want to move beyond purely classical treatments without abandoning the song's devotional core.

How to get the most out of it

  • Emphasize the text clarity in each voice part; these lyrics carry the weight of the arrangement, so diction should remain crisp even when moving through harmonic sections.
  • Balance the inner voices (alto and tenor) carefully, as they often carry passing motion that supports the melodic line without overwhelming it.
  • Explore the dynamic arc across all 14 pages; don't treat this as a single emotional gesture but rather as a journey with its own peaks and valleys.

How to use it

Place this in a mixed-voicing Christmas concert to bridge between straight hymnal settings and more experimental holiday arrangements. It also serves well as an encore or closing number when you want something that feels current without sacrificing the reverence the season calls for.

Skills your students will build

  • Singing with text clarity across sustained harmonic textures
  • Balancing melody and accompaniment in a four-part texture
  • Interpreting contemporary Christian music conventions in a choral context
  • Maintaining ensemble cohesion through longer formal structures (14 pages)

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