Isn't This A Lovely Day (To Be Caught In The Rain?) Sheet Music Preview

Isn't This A Lovely Day (To Be Caught In The Rain?): Piano Vocal

As performed by Irving Berlin

Item: 35-DS00023335

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00023335

More about this title

About the Artist: Irving Berlin

Irving Berlin composed some of the most enduring songs in American popular music, blending sophisticated harmonic language with melodies that lodge themselves in listeners' ears. Self-taught at the piano and working largely by ear, Berlin shaped the sound of Broadway, Tin Pan Alley, and American standards for nearly a century, writing everything from patriotic anthems to intimate love songs.

Why we love this

Berlin's gift for writing conversational lyrics paired with genuinely inventive chord movements makes this standard a joy to teach and perform. The vocal line sits comfortably for singers across ranges, while the piano part offers enough harmonic color to keep accompanists engaged without overwhelming the lyrical narrative.

What to expect

Wistful and wry at once, the song captures that specific pleasure of romantic mishap. The melody dances lightly over a harmonic foundation that's more sophisticated than the casual surface suggests, creating an emotional complexity that rewards singers who find the vulnerability beneath the clever lyric.

Who it's for

Vocalists developing control over legit singing in a pop or jazz-influenced style, and pianists building facility with jazz voicings and comping figures. This works equally well for singers preparing for auditions or performance classes and for duets in small ensembles.

How to get the most out of it

  • Shape the phrases around the lyrical content rather than metric downbeats; the sung text should feel like natural speech with musical punctuation.
  • Balance the vocal melody against piano textures so the singer isn't working to be heard. The accompaniment can breathe in the spaces between vocal phrases.
  • Explore the harmonic changes that make this song more interesting than it first appears; Berlin's use of secondary dominants and passing chords rewards careful listening and sensitive voicing.

How to use it

Pair this with other Berlin standards in a cabaret or concert of American songbook classics, or slot it into a program exploring the evolution of popular song. It also serves as a manageable introduction to jazz standards for singers who haven't yet ventured into that repertoire.

Skills your students will build

  • Singing legit melody lines over jazz-influenced harmonies
  • Reading and interpreting secondary dominants and chromatically inflected chords
  • Balancing lyrical expression with harmonic awareness
  • Accompanying with sensitivity to the singer's phrasing and emotional content
  • Understanding conversational text setting and natural speech rhythm in song

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