Isn't She Lovely (arr. Mike Menefee): TTBB Choral Octavo
Isn't She Lovely (arr. Mike Menefee) Sheet Music Preview

Isn't She Lovely (arr. Mike Menefee): TTBB Choral Octavo

As performed by Stevie Wonder / Arranged by Mike Menefee

Item: 35-DS00427447
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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00427447

More about this title

About the Artist: Stevie Wonder

Stevie Wonder stands among the most influential songwriters and musicians of the past fifty years. Blind from infancy, he mastered multiple instruments and developed a production approach that fundamentally shaped soul, funk, and pop music from the 1960s onward. His harmonic sophistication and melodic gift have made his catalog essential material for choral arrangers seeking songs that engage both singers and audiences.

Wonder's compositions balance accessibility with musical depth, a quality that makes them ideal for educational settings. "Isn't She Lovely" exemplifies his ability to craft moments of genuine warmth and celebration that resonate across generations.

Why we love this

Mike Menefee's arrangement captures the song's inherent joy while respecting the barbershop tradition that TTBB voicing demands. The piece works equally well as a concert closer or a community event showstopper because it combines accessibility with harmonic interest that will keep your singers engaged throughout rehearsals.

What to expect

Radiant and uncomplicated in the best sense. The song radiates genuine affection, and the barbershop harmonies give it a nostalgic warmth that feels both contemporary and timeless. Singing this arrangement creates the kind of moment where ensemble joy becomes contagious.

Who it's for

TTBB choirs seeking a feel-good showpiece that sits comfortably in the contemporary repertoire. The arrangement works for community ensembles, college groups, and advanced high school choirs looking for something celebratory without requiring extraordinary range demands.

How to get the most out of it

  • Shape the opening statement of the melody so that the lyrical warmth comes through without oversinging. Let the text do the emotional work.
  • Balance the lower voices carefully during harmonic passages; barbershop voicing requires precision from the bass and baritone to sit cleanly under the upper voices.
  • Lean into the rhythmic swing that this style implies. Straight eighth notes will flatten the character that makes the arrangement breathe.
  • Record a rough mix during rehearsal and listen back as an ensemble. Barbershop voicing reveals blend issues quickly, and hearing yourselves together builds the awareness needed to lock in the sound.

How to use it

Pair this with other accessible contemporary arrangements on a concert that mixes classic barbershop repertoire with modern material. The seven pages and straightforward voicing make it ideal for a spring concert or community showcase where you want something audience-friendly that still demonstrates your singers' musicianship.

Skills your students will build

  • Balancing voices within barbershop voicing structures
  • Singing with swing eighth notes and rhythmic nuance
  • Ensemble blend and intonation in close harmony
  • Approaching contemporary popular music through a traditional harmonic lens

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