Island Getaway: Concert Band Conductor Score & Parts
By Brian Monroe
Grade: 1
Item: 35-PK01726662
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Island Getaway - Full Score | $8.00 | |
| Island Getaway - Flute | $2.50 | |
| Island Getaway - Oboe | $2.50 | |
| Island Getaway - Clarinet | $2.50 | |
| Island Getaway - Bass Clarinet | $2.50 | |
| Island Getaway - Bassoon | $2.50 | |
| Island Getaway - Alto Saxophone | $2.50 | |
| Island Getaway - Tenor Saxophone | $2.50 | |
| Island Getaway - Baritone Saxophone | $2.50 | |
| Island Getaway - Trumpet | $2.50 | |
| Island Getaway - Horn | $2.50 | |
| Island Getaway - Trombone | $2.50 | |
| Island Getaway - Euphonium TC | $2.50 | |
| Island Getaway - Euphonium BC | $2.50 | |
| Island Getaway - Tuba | $2.50 | |
| Island Getaway - Orchestra Bells | $2.50 | |
| Island Getaway - Xylophone | $2.50 | |
| Island Getaway - Snare Drum/Bass Drum | $2.50 | |
| Island Getaway - Percussion | $2.50 | |
| Island Getaway - Percussion | $2.50 | |
| Island Getaway - Cowbell | $2.50 | |
| Island Getaway - Timpani | $2.50 |
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Description
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More about this title
Why we love this
Monroe writes for the players you actually have in the room, not some idealized ensemble. The Latin rhythms are infectious without demanding advanced independence, and the generous percussion writing means every hand in the section plays something meaningful from start to finish.
What to expect
Warm island breezes and relaxed confidence. The Latin rhythms give the music a natural groove that feels mature and sophisticated, yet the straightforward voicings and minimal divisi keep the performance accessible and stress-free.
Who it's for
Grade 1 bands looking for something with genuine style and character that doesn't require extended ranges or complicated rhythmic independence. Ensembles with robust percussion sections will particularly benefit from the opportunities this score provides.
How to get the most out of it
- Let the percussion lay the foundation first. Once your players lock the Latin groove, the winds can sit comfortably on top of it rather than fighting to find the pulse.
- Keep the clarinet and alto saxophone divisi sections transparent. These aren't blend passages; they're meant to be heard as distinct colors within the section.
- Balance the trumpet parts so they cut through without overshadowing the Latin feel. This is accompaniment work, even when they have the melodic line.
How to use it
This works beautifully as a spring concert centerpiece or pops concert opener where you want something that lands solidly and shows off a well-rounded ensemble. It's also an excellent choice for a concert where you're pairing Grade 1 works with Grade 2 or 3 pieces; the stylistic maturity punches above its grade level.
Skills your students will build
- Latin rhythm patterns and percussion parts (clave, conga, cowbell)
- Reading and maintaining pulse within a contemporary harmonic language
- Articulation and phrasing in a jazz-influenced style
- Balance between melody and accompaniment in a groove-based context