Is He Worthy? (arr. Heather Sorenson) Sheet Music Preview

Is He Worthy? (arr. Heather Sorenson): SATB Choral Octavo

As performed by Andrew Peterson and Ben Shive / As performed by Chris Tomlin / Arranged by Heather Sorenson

Item: 35-DS00421280

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS00421280

More about this title

About the Artist: Andrew Peterson and Ben Shive

Andrew Peterson is a prolific Christian music artist and songwriter who has crafted numerous contemporary worship songs that resonate across denominational lines. Ben Shive, his collaborator on this composition, brings compositional depth and melodic sensibility to their work together. Peterson's songwriting emphasizes theological substance paired with accessible melody, making his pieces natural fits for congregational and choral settings.

Why we love this

Heather Sorenson's arrangement captures the contemplative yet affirming character of this modern hymn without sacrificing singability across all four parts. The harmonic language feels fresh while remaining rooted enough that rehearsal time focuses on musicality rather than deciphering unfamiliar voice leading. Choirs consistently report that this piece connects emotionally with both singers and audiences, making it a reliable choice for services, concerts, or ecumenical events where you need something substantive and moving.

What to expect

The piece unfolds with quiet confidence, building from introspection toward affirmation. Sorenson's harmonies have a warm, honest quality that invites singers and listeners into genuine reflection rather than surface emotion.

Who it's for

This arrangement suits choirs looking for contemporary worship music with genuine harmonic substance. It works equally well in church settings, concert programs, or ecumenical gatherings where you need a piece that feels current without being trendy.

How to get the most out of it

  • Shape the opening phrases with gentle restraint. The arrangement gains power through building momentum, so resist the urge to rush or oversing the first verse.
  • Pay attention to the text underlay in passages where voices move independently. Sorenson's voicing sometimes separates words across parts, and clarity here makes the theological content land more effectively.
  • Balance the soprano line carefully when it carries the primary melody against sustained harmonies below. This piece works best when every voice feels essential rather than hierarchical.
  • Consider where breath points naturally occur within phrases rather than at barlines. This flexibility will keep the piece from feeling metrically rigid.

How to use it

Include this in programs exploring contemporary faith-based choral writing, or pair it with traditional hymns to show how modern songwriting can carry theological weight. The 19-page score suggests it works as either a centerpiece selection or a particularly strong supporting piece within a larger concert structure.

Skills your students will build

  • Balancing melody and harmony across four independent voice parts
  • Maintaining textual clarity in contemporary harmonic contexts
  • Shaping phrase arcs that move across barlines
  • Interpreting dynamic and emotional nuance in modern choral writing

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