Irving Berlin's Christmas (Medley) Sheet Music Preview

Irving Berlin's Christmas (Medley): SAB Choral Octavo

By Irving Berlin / Arranged by Mark Brymer / Arranged by Michael Brown

Item: 35-DS00153303

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Additional Details
Publisher: Hal Leonard
Page Count: 22
SKU: 35-DS00153303

More about this title

About the Composer: Irving Berlin

Irving Berlin (1888–1989) shaped American popular music across eight decades, writing thousands of songs that became the soundtrack to the twentieth century. His melodies are instantly recognizable, his harmonic sense is sophisticated beneath their apparent simplicity, and his gift for setting words to music remains unmatched. In the classroom and rehearsal room, Berlin's work teaches students what enduring songwriting looks like: clarity of melody, emotional directness, and craftsmanship that rewards close listening.

Berlin's Christmas catalog stands apart even within his vast output. These songs distill holiday sentiment without sentimentality, and they've become part of how Americans mark the season. Arranging his work for student choirs keeps these standards alive while offering singers a direct line to one of music's most prolific and influential composers.

Why we love this

Brymer and Brown have curated Berlin's most singable holiday material and woven it into a medley that feels like a conversation between songs rather than a patchwork. The SAB voicing is genuinely musical, not stripped down, which means your singers get real harmonic content to hold while the text carries the festive weight. This is holiday programming that respects both your ensemble's abilities and your audience's intelligence.

What to expect

Warm, nostalgic, and genuinely joyful without veering into schmaltz. Berlin's melodies have a way of feeling both familiar and freshly heard, and this medley showcases that quality across multiple moods: the wintry reverie of one moment gives way to dance-floor energy the next. There's elegance here, not just cheerfulness.

Who it's for

Mixed choirs at the secondary and early undergraduate levels, as well as community ensembles and church choirs seeking polished holiday repertoire that doesn't require a large ensemble. The 22-page score and moderate SAB writing make this accessible to groups without the range of a full four-part choir.

How to get the most out of it

  • Treat each song section as its own miniature performance; avoid letting the medley structure blur the distinct character of 'White Christmas' versus 'Cheek to Cheek' versus the other selections.
  • Balance the text clarity across all three parts. The middle voices often carry important text, so check that your Altos aren't swallowed by the Sopranos' melody line.
  • Locate the key relationships between sections during rehearsal. Some transitions will need a breath beat to let the ear reset; others might benefit from a tiny tempo adjustment to signal a new song's arrival.

How to use it

Anchor your December concert with this medley as a mid-program set or as a finale that sends the audience out humming. It pairs well alongside traditional carols, art song arrangements, or contemporary holiday pieces, since Berlin's songs occupy a distinct middle ground between classical and pop. At 22 pages, it's substantial enough to anchor a longer work or flexible enough to share a program with shorter selections.

Skills your students will build

  • Phrasing across multiple song sections with different melodic shapes and harmonic rhythms
  • Sustaining text intelligibility in three-part harmony, particularly in inner voices
  • Stylistic flexibility within the American popular song tradition
  • Managing medley structure: recognizing section boundaries and executing transitions cleanly

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