Irish Tune from County Derry for Orchestra Cover Image

Irish Tune from County Derry for Orchestra: Full Orchestra Conductor Score

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Irish Tune from County Derry for Orchestra Cover Image

Irish Tune from County Derry for Orchestra: Full Orchestra Conductor Score

By Percy Aldridge Grainger / arr. Dana Perna

Grade: 3

Item: 36-10205086

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Description
Irish Tune from County Derry is one of the best known of Grainger's settings based on a folk melody. This version, published here for the first time, was prepared for Leopold Stokowski who recorded it in 1950 (omitting the cymbal part). These parts have been carefully combed through to remove errors and to clarify Grainger's parts from which the musicians played at that recording session. Grainger used his own previously published parts to the string orchestra version for that session but he did not put the changes into these parts as has been done in this publication. Also, his wind parts were handwritten and these materials have been clearly annotated, giving dates on the score, in this publication. Grainger's 'blue-eyed English' terms have been placed into this publication as Grainger had wanted (e.g. the published string parts used at the 1950 session were in Italian which Grainger used to save himself time in preparing parts). Even the cymbal part as it appeared between Grainger's score and his handwritten part differed. This has now been treated in a manner which the editor feels best serves the material. Instrumentation: 2.1.2.1(2): 2.1.0.0+1: Perc: Str.

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Additional Details
Series: Percy Grainger Orchestra Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887940-0
ISBN13: 978-1-63-887940-4
UPC: 660355060137
SKU: 36-10205086
Instrumentation: 2.1.2.1(2): 2.1.0.0+1: Perc: Str

More about this title

About the Composer: Percy Aldridge Grainger

Percy Aldridge Grainger (1882-1961) was an Australian-born composer and pianist who became one of the most innovative orchestrators of the early twentieth century. His settings of folk melodies, particularly from British and Scandinavian sources, transformed simple tunes into rich, colorful orchestral textures that revealed layers of harmonic and rhythmic possibility within traditional material. Grainger was fearless in his musical language and equally bold in his rejection of conventional terminology, famously replacing Italian musical terms with English equivalents that he called "blue-eyed English"—a practice that reflected his broader mission to democratize classical music and free it from European convention.

As both composer and educator, Grainger believed that folk melody was the foundation of living musical culture. His orchestrations were never mere arrangements but rather explorations of color, balance, and structural clarity. This conductor score, prepared from materials used in Leopold Stokowski's landmark 1950 recording, represents Grainger's work at its most refined: a melody that speaks directly to performers and listeners, clothed in orchestration that enhances rather than obscures its essential character.

Why we love this

This edition restores Grainger's original vision with scholarly care while remaining entirely playable at the Grade 3 level. The orchestration balances transparency with color, giving every section meaningful material without overwhelming younger musicians. The removal of errors and clarification of Grainger's handwritten parts means conductors work from a clean, authoritative score that honors both the composer's intentions and the practical needs of rehearsal.

What to expect

The melody unfolds with the quiet dignity of a folk song that has traveled through generations, neither rushed nor sentimental. Grainger's orchestration wraps it in warm, shifting colors—now bright with woodwind light, now deepened by string resonance—creating an intimate connection between the tune's simplicity and the orchestra's gentle sophistication. The overall effect is contemplative and welcoming, a moment of genuine lyricism in the concert.

Who it's for

This conductor score serves Grade 3 orchestras with balanced instrumentation and mature musicians ready to engage with Grainger's harmonic language and orchestral color. Directors seeking accessible yet substantial repertoire will find an established masterwork that sounds far more complex than it plays. The piece works equally well for concert orchestras and festival performance where clarity and musicality matter more than technical display.

How to get the most out of it

  • Shape the melody through the string section with gentle phrasing rather than strict metronomic precision; Grainger's folk-based writing rewards a natural, singing approach to line
  • Balance the woodwind doublings carefully so they enhance the strings' tone rather than obscure it, particularly in passages where flute and oboe color the main tune
  • Allow the ensemble to breathe at natural phrase points; Grainger's symmetrical phrasing is strongest when conductors resist the urge to drive through structural resting places
  • Use the dynamic markings as shaping tools; the gradual dynamic changes reflect the melody's emotional arc and should feel organic, not mechanical

How to use it

Program this as a bridge between lighter opening work and more demanding repertoire, or use it to anchor a concert devoted to folk-inspired twentieth-century music. The piece creates a strong emotional center without technical strain, making it ideal for programs where you want to showcase ensemble maturity and tonal control. It pairs naturally with other Grainger settings or with works by Bartók and Kodály that similarly honor folk sources.

Skills your students will build

  • Balanced orchestral voice leading across multiple sections
  • Sustained legato playing with attention to phrase shape
  • Precise ensemble intonation in moving harmonic progressions
  • Responding to conductor shaping and dynamic inflection
  • Clarity of line when multiple instrumental families carry the melody simultaneously

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