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Irish Festival: Concert Band Conductor Score & Parts

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Irish Festival: Concert Band Conductor Score & Parts

By Quincy C. Hilliard

Grade: 2.5

Item: 98-B1188

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Description
Quincy C. Hilliard uses two Irish folksongs as the inspiration for this new festival work. A drone opens the work which quickly moves to a simple, yet creative setting of The Last Rose of Summer. A slow, lyrical treatment of the same folk song serves as the middle section of the piece. The final section is based on The Rake of Mallow and makes use of ample percussion as the piece propels toward a powerful conclusion.

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 674398212552
SKU: 98-B1188

More about this title

About the Composer: Quincy C. Hilliard

Quincy C. Hilliard has established himself as a composer deeply committed to making quality concert band literature accessible to developing ensembles. His approach balances musical sophistication with pedagogical clarity, creating works that challenge students without overwhelming them.

Hilliard's catalog reflects a particular gift for arranging and reimagining familiar material in fresh contexts. His arrangements for young bands demonstrate how traditional sources can become vehicles for teaching ensemble technique and musical interpretation.

Why we love this

Hilliard crafts a genuine three-act narrative from two familiar Irish melodies, never settling for straightforward quotation. The architectural choices—opening drone, contrasting middle section, and percussion-driven finale—show real compositional craft at a grade level where such sophistication is rare. Directors get a piece that sounds substantial without demanding virtuosity.

What to expect

The piece unfolds like a musical journey through an Irish landscape. It begins quietly, almost misty, before the familiar warmth of The Last Rose of Summer blooms; the middle section dwells in reflection, then erupts into the spirited energy of The Rake of Mallow with percussion shimmering beneath the melody.

Who it's for

Concert bands at the grade 2 to 2.5 level who want to explore Irish cultural content without simplifying the musical experience. This works equally well for ensembles building confidence in lyrical playing and those ready to expand beyond standard festival repertoire.

How to get the most out of it

  • Shape the opening drone with subtle dynamic breathing to establish atmosphere before The Last Rose of Summer enters; this creates the sense of emergence rather than abrupt beginning.
  • Articulate the percussion writing in the final section with precision and rhythmic confidence; these voices drive the conclusion and need clarity to land the powerful ending.
  • Balance the lyrical middle section by resisting the urge to drag; let the sustained tones breathe naturally without artificial stretching of the tempo.

How to use it

Program this as an accessible entry point into multicultural repertoire during spring or festival concerts. Its three-movement arc makes it a compelling standalone opener, or pair it with other folk-based arrangements to build a thematic set.

Skills your students will build

  • Sustaining tones with consistent tone quality and intonation
  • Rhythmic precision in syncopated and driving percussion parts
  • Dynamic contrast between lyrical and energetic sections
  • Ensemble balance when melody and accompaniment share equal importance

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