Irish Air and Dance Cover Image

Irish Air and Dance: Concert Band Conductor Score

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Irish Air and Dance Cover Image

Irish Air and Dance: Concert Band Conductor Score

Traditional / arr. Michael Story

Grade: 2 (Easy)

Item: 00-29579S

$9.00
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Description
Combining contrasting Irish tunes, "The Minstril Boy" and "The Girl I Left Behind Me," this young band work will be warmly received on any program. Opening with a beautiful lyric, legato presentation of the "Air," the work progresses with the energetic "Dance," exploring a variety of textures and concludes with a bold tutti statement. (2:03) This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081327938
SKU: 00-29579S

More about this title

About the Arranger: Michael Story

Michael Story has become one of the most frequently performed composers and arrangers in school band and orchestra programs across North America. Known for his gift at crafting accessible yet musically substantial works, Story has a particular talent for taking familiar melodies and folk material and reimagining them in ways that engage young musicians while respecting the integrity of the original tunes.

Why we love this

Story's treatment here respects the lyrical character of each tune while building genuine musicianship around them. The structure unfolds naturally—lyric air into energetic dance—giving your band a satisfying arc to perform, and the variety of textures keeps the ensemble engaged without overwhelming a Grade 2 group.

What to expect

The Air arrives with warmth and gentle dignity, allowing the band to settle into legato ensemble playing before the momentum shifts. The Dance sparkles with rhythmic vitality and folk character, moving through different instrumental combinations before culminating in a full-voiced statement that feels genuinely celebratory rather than contrived.

Who it's for

This score is essential for conductors building concert band repertoire at the Grade 2 level. It works equally well for groups still developing ensemble cohesion and balance as it does for bands ready to explore light programming variety beyond march and chorale styles.

How to get the most out of it

  • Shape the opening Air with a vocal quality in the woodwinds; think of it as a solo voice telling a story rather than background accompaniment.
  • Balance the transition into the Dance carefully so the shift in energy feels intentional, not abrupt. A slight ritardando into the tempo change helps the ensemble reset.
  • In the tutti conclusion, lean into the boldness without rushing; young ensembles often accelerate when playing loudly, so keep the pulse steady through the final statement.

How to use it

Program this as a charming contrast piece on a concert where you want to show your band's range without jumping into advanced material. Its two-minute length makes it ideal for pairing with a substantial march or chorale, or as a confident opener that sets a welcoming tone.

Skills your students will build

  • Legato ensemble playing and tone matching across the section
  • Tempo transitions and managing rhythmic clarity in dance-based passages
  • Balancing part independence in varied textural combinations
  • Sustaining musical shape across a complete work with contrasting sections

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