Invocation For Advent Sheet Music Preview

Invocation For Advent: SATB Choral Octavo

By Don Besig / By Nancy Price

Item: 35-DS00149181

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00149181

More about this title

About the Composer: Don Besig

Don Besig

Don Besig spent 31 years directing music in public schools across western New York, building award-winning choral and show choir programs known for strong performances at festivals, competitions, and community concerts. His experience spans all grade levels and settings, from student ensembles to volunteer church choirs. Recognizing that many directors lacked access to repertoire tailored to their singers' abilities and needs, he began composing and arranging music for his own groups. His output now exceeds 350 published works, with sales surpassing 15 million copies; he has received multiple ASCAP Special Awards for his contributions to standard choral music.

Besig remains active as director of music at Perinton Presbyterian Church in Fairport, New York, and continues to conduct clinics, festivals, and workshops across 40 states and Canada. A graduate of Ithaca College, he maintains memberships in Phi Mu Alpha, ACDA, MENC, NYSSMA, and ASCAP.

Why we love this

Besig and Price craft an Advent text that speaks directly to the season without requiring elaborate staging or instrumental complexity. The writing sits comfortably for mixed voices while maintaining the harmonic sophistication that keeps experienced singers engaged, making this a practical choice for both secondary and community choirs navigating the holiday calendar.

What to expect

The music conveys quiet anticipation and reverent contemplation, appropriate to Advent's introspective character. Harmonic movement and text setting combine to create moments of brightness and warmth without veering into the celebratory energy of Christmas day.

Who it's for

This octavo serves SATB choirs preparing for Advent and Christmas services, whether in schools, churches, or community settings. It works equally well for groups with solid sight-reading skills and ensembles still building fundamentals.

How to get the most out of it

  • Balance the soprano and alto lines in the opening phrases; these voices carry the primary melodic material and need clarity without overwhelming the men's voices beneath them.
  • Shape each phrase with a sense of purpose and forward motion, treating longer note values as destinations rather than stopping points.
  • Pay attention to vowel matching across all four parts on unison or near-unison passages; consistency here ensures blend and projection.

How to use it

Open an Advent service with this piece to establish a contemplative tone before moving into congregational singing or spoken liturgy. Its six-page format fits naturally within a holiday concert's opening set, positioning it to bridge secular and sacred repertoire thoughtfully.

Skills your students will build

  • Sustaining long tones with breath support across four-part texture
  • Singing independent parts while maintaining ensemble blend
  • Text expression within a sacred musical context
  • Reading moderate harmonic complexity in treble and bass clefs

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