Invasion of the Slimy Five-Headed Slow-Mo Monsters from Outer Space Cover Image

Invasion of the Slimy Five-Headed Slow-Mo Monsters from Outer Space: Concert Band Conductor Score & Parts

$45.00 USD
$45.00 USD
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Invasion of the Slimy Five-Headed Slow-Mo Monsters from Outer Space Cover Image
Invasion of the Slimy Five-Headed Slow-Mo Monsters from Outer Space: Concert Band Conductor Score & Parts

Invasion of the Slimy Five-Headed Slow-Mo Monsters from Outer Space: Concert Band Conductor Score & Parts

By Dan Adams

Grade: 1

Item: 36-50100169
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Description
Can your band save the world from these eerie invaders from somewhere in outer space? Using only seven notes, some humorous vocal effects, and an easy way to learn about dynamic contrast, this is the perfect selection for a first concert.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Invasion of the Slimy Five-Headed Slow-Mo Monsters from Outer Space: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Beginning Band
Publisher: Keiser Productions, Inc.
Page Count: 138
ISBN10: 1-68-296060-9
ISBN13: 978-1-68-296060-8
UPC: 679360678145
SKU: 36-50100169
Instrumentation: Concert Band

More about this title

About the Composer: Dan Adams

Dan Adams

Dan Adams spent nearly three decades as Band and Orchestra director and Instrumental Music Coordinator in the Wooster City Schools, building a reputation for engaging, accessible repertoire that serves young musicians. Before his tenure in Ohio, he taught instrumental music at Mount Anthony Union High School in Bennington, Vermont, and studied band conducting at Northwestern University under the legendary John Paynter, earning his Master of Music degree while holding a Bachelor of Music Education from The Ohio State University on his major instrument, trombone.

Adams has adjudicated competitions across the country and remains an active brass musician and conductor. His compositions have earned recognition at major clinics including The Midwest Band Clinic and the Western International Band Clinic, received placements in the Bandworld Top 100, and been selected repeatedly as J.W. Pepper Editors' Choice titles. He holds memberships in the Ohio Music Education Association, NAfME, ASCAP, the College Band Directors National Association, and the American Federation of Musicians.

Why we love this

Adams strips away all technical barriers and writes directly to what first-year players need: immediate success and genuine fun. The seven-note constraint forces every section to sound unified from day one, and the novelty title and humorous sound effects keep young musicians laughing while they learn the most essential skill in band repertoire—controlling their dynamic range. For a premiere concert, you get something that feels like a genuine performance, not a proof-of-concept.

What to expect

A theatrical romp through the cosmos with a goofy, slightly menacing energy. The restricted palette forces focused listening and creates an oddly effective tension, while the vocal effects and dynamic swings make the score feel less like a tutorial and more like a small-scale movie score played by your band.

Who it's for

This is built for first-year band students who need a concert vehicle that teaches genuine musical technique without overwhelming notation or range demands. Directors will find it equally valuable as a program opener that signals to parents and audiences that young musicians are already making real musical choices.

How to get the most out of it

  • Establish the 'monster' sound as a full-section effect before rehearsal one. Have everyone vocalize the eerie slides and growls without instruments so the sound feels collaborative and not silly.
  • Map out which sections play the melody during each monster appearance. Rotating the lead through clarinets, trumpets, and saxophones keeps energy fresh and lets every player experience the main theme.
  • Lean into the dynamic changes as character development. The contrast between the creeping quiet sections and the full-force monster attacks is the emotional spine of the piece; make it visible on the podium.

How to use it

Open your fall or spring concert with this title to establish a welcome, unpretentious tone and immediately engage the audience. The novelty frame and humor make it an excellent bridge between your opening remarks and the more traditional selections that follow, and its short duration means you can program a thoughtful variety without overloading the evening.

Skills your students will build

  • Dynamic contrast (terraced and graded volume changes)
  • Melodic reading within a limited pitch set (seven notes)
  • Rhythmic unison across entire sections
  • Responding to conductor cues for synchronized section entries
  • Breath control in both sustaining and releasing passages
  • Intonation matching across mixed instrumentation

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