Introduction and Allegro, Op. 47 Cover Image

Introduction and Allegro, Op. 47: String Orchestra, Solo Strings with Ensemble, Soli Parts

$16.00 USD
Sale price  $16.00 USD Regular price 
Skip to product information
Introduction and Allegro, Op. 47 Cover Image

Introduction and Allegro, Op. 47: String Orchestra, Solo Strings with Ensemble, Soli Parts

By Edward Elgar

Item: 36-A103048

$16.00
Shipped

One moment…

Description
Sir Edward Elgar's Introduction and Allegro for Strings, Op. 47, was composed in 1905 for performance in an all-Elgar concert by the newly formed London Symphony Orchestra. Scored for string quartet and string orchestra, Elgar composed it to show off the players' virtuosity.

Introduction and Allegro, Op. 47: String Orchestra, Solo Strings with Ensemble, Soli Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 735816139209
SKU: 36-A103048
Instrumentation: Solo String Quartet. String Orchestra (8.8.5.5.5 in set)

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857-1934) was an English composer whose works helped establish Britain as a major force in orchestral music during the late Romantic era. Self-taught in many aspects of composition, Elgar developed a distinctive harmonic language and mastery of orchestration that influenced generations of composers. His string writing in particular set new standards for virtuosity and emotional depth, evident throughout the Introduction and Allegro.

Elgar held the position of Master of the King's Musick and composed extensively across genres, but his string works remain central to the repertoire. The Introduction and Allegro stands as a testament to his ability to balance technical brilliance with genuine musical substance, creating a work that challenges performers while rewarding audiences with its emotional arc and energetic finale.

Why we love this

This work was written specifically to showcase the London Symphony Orchestra's virtuosity, which means every instrumental section gets genuine musical material to play rather than padding. The dialogue between the solo quartet and ensemble creates natural drama and requires your musicians to listen carefully, respond to each other, and execute passage work with precision. Audiences recognize it immediately, which means you're programming a genuine masterwork that students will remember performing for years.

What to expect

The Introduction establishes a reflective, almost tender mood with a memorable theme that returns throughout the work. Once the Allegro arrives, the piece shifts into spirited energy, with the solo quartet trading virtuosic passages with an increasingly animated ensemble, building toward a celebratory finish that leaves both performers and audience energized.

Who it's for

String orchestras at the intermediate-advanced level with capable soloists ready to lead the ensemble musically. High school youth orchestras, college community orchestras, and conservatory string ensembles will find this work sits perfectly in their repertoire and provides an excellent platform for emerging concertmasters and section leaders to demonstrate leadership skills.

How to get the most out of it

  • Establish clear communication between your solo quartet and the ensemble from the first rehearsal. The music depends on call-and-response clarity, so mark cues in both parts and have the soloists sit where the orchestra can see them easily.
  • Give the opening enough space to breathe. The Introduction's emotional weight comes from restraint and careful phrase shaping, not forward momentum. Let your ensemble settle into the mood before the Allegro's energy takes over.
  • Balance the solo quartet so their lines cut through without forcing. Elgar wrote them high enough to be heard, but aggressive bowing will muddy the texture. Encourage soloists to use vibrato thoughtfully to blend with the ensemble's sound.
  • Prepare your lower strings for the rhythmic precision the work demands. The cello and bass parts anchor both sections and must stay steady during fast passage work in the violins, even when they're playing nothing flashy.

How to use it

Program this as a centerpiece for a string orchestra concert, pairing it with a contemporary work and a shorter Baroque piece to show range. Its five-minute duration and dramatic arc make it an excellent choice for opening a program with impact, or place it as the final work to end on a note of genuine triumph.

Skills your students will build

  • Maintaining steady tempo while balancing fast passage work with ensemble texture
  • Responding to solo voices and adjusting dynamics to accompany rather than overpower
  • Executing running sixteenth-note figures with clarity and rhythmic precision
  • Sustaining focused tone quality during long, exposed harmonic progressions
  • Listening to harmonic movement and adjusting intonation across changing tonal centers

You May Also Like