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Introducing Jazz for the Rock Guitarist: Guitar Book & CD

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Introducing Jazz for the Rock Guitarist Cover Image

Introducing Jazz for the Rock Guitarist: Guitar Book & CD

Stretch the Boundaries of Your Playing

By Robert Brown

Item: 00-14195

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Description
A must for improvising guitarists who play all styles, from rock to jazz. This is a thorough and unique approach to learning and applying the scales and modes to improvisation on the guitar. Each book includes: exercises and licks in standard music notation and tablature, examples in a variety of styles, easy-to-read scale diagrams, lessons that teach you to solo freely throughout the range of the fingerboard, chord progressions, and basic theory lessons written clearly and simply.

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Sample Pages

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Sample Audio
1 Diatonic 7th Arpeggios Example --:--
2 Jazzy Blues Chord Progression --:--
3 Play Along Track --:--

Diatonic 7th Arpeggios Example

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-2567-8
ISBN13: 978-0-7390-2567-3
UPC: 038081134352
SKU: 00-14195

More about this title

Why we love this

Rock guitarists often hit a wall when they try to improvise beyond pentatonic patterns, and this book gives them a structured way forward without abandoning the styles they love. Brown treats jazz vocabulary as a practical toolkit rather than a separate discipline, showing how scales and modes apply directly to rock contexts. The dual notation system (staff and tab) keeps players grounded while the included CD provides real musical reference points for each concept.

What to expect

The book strikes a balance between the blues-soaked fluency of rock guitar and the harmonic sophistication of jazz, creating a bridge rather than a sharp turn. You'll recognize your own musical world in the examples while discovering new colors and textures that expand your voice as a soloist.

Who it's for

Rock and hard rock guitarists who want to develop jazz vocabulary and improve their improvisational range without abandoning their musical roots. Self-taught players and those in formal instruction will find the clear explanations and dual notation system equally accessible.

How to get the most out of it

  • Work through the scale diagrams systematically before applying them to the chord progressions. Understanding the fingerboard geography matters more than speed.
  • Use the CD examples as ear training, not just background. Pause after each lick and sing or play what you heard before moving to the next one.
  • Practice the exercises across different positions and registers. The book emphasizes fingerboard range for a reason; staying in one box limits your voice as a soloist.
  • Return to the basic theory lessons whenever a new scale or mode feels abstract. Connecting the sound to the concept accelerates retention.

How to use it

Assign this to intermediate to advanced rock or fusion ensemble members who are ready to develop improvisation beyond basic pentatonic vocabulary. The 48 pages work well as a focused six to eight week independent study project, with players bringing their discoveries back to ensemble arrangements that call for solos.

Skills your students will build

  • Major and minor scale construction and application across the fingerboard
  • Modal improvisation (Dorian, Mixolydian, and other modes) in rock and jazz contexts
  • Reading chord progressions and targeting chord tones during improvisation
  • Connecting standard notation and tablature for faster learning
  • Lick vocabulary in multiple styles with clear execution patterns
  • Improvising across the full range of the fingerboard rather than relying on one position

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