Into the Woods: Choral Instrumental Pak
Arranged by Mark Brymer
Item: 35-PK00400092
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Description
Here is the rousing opening of Into the Woods by Stephen Sondheim, recently adapted into a spectacular Disney film. A fantastic feature for pop, show and concert choirs to open an evening of Broadway and movie music.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00400092
More about this title
About the Arranger: Mark Brymer
Mark Brymer is a prolific arranger whose work appears regularly in choral catalogs across all styles and voicings. His arrangements balance accessibility with musical substance, making contemporary and classical material engaging for student ensembles without compromising artistic integrity.
Brymer's contributions to musical theater repertoire for choirs have made Broadway and film scores available to programs that want contemporary energy alongside traditional concert fare. His arrangements consistently prioritize singability and clear harmonic writing.
Why we love this
This arrangement captures the theatrical momentum of Sondheim's opening without requiring elaborate staging or complex choreography. It's a genuine show-stopper that lands immediately, making it perfect for setting the tone at a concert dedicated to musical theater or popular music.
What to expect
A theatrical rush of energy and anticipation, full of the intrigue and forward motion that defines Sondheim's musical voice. The arrangement captures the show's opening promise of adventure and complexity, inviting listeners into a world of storytelling and dark magic.
Who it's for
Pop, show, and concert choirs of intermediate ability and above who want contemporary theatrical material that opens a program with confidence. Ensembles with access to an instrumentalist or recorded accompaniment will find this arrangement maximizes impact with straightforward voicing.
How to get the most out of it
- Shape the opening through dynamic clarity rather than volume alone; let the articulation and rhythmic precision carry the energy before the full ensemble enters.
- Balance the instrumental parts so they support the vocal lines without overshadowing them; mark specific dynamics in the parts if your ensemble tends toward homogeneity.
- Lock the harmonic motion in the middle sections by having singers feel the chord changes as vertical moves rather than horizontal line, especially helpful if your group struggles with intonation in quicker passages.
How to use it
Place this as your opening number when programming an evening of Broadway, Disney, or contemporary musical theater. It establishes tone immediately and gives your audience permission to settle into entertainment rather than expecting classical formality.
Skills your students will build
- Articulation and rhythmic precision in rapid ensemble passages
- Harmonic awareness and vertical listening in jazz-influenced chord progressions
- Dynamic shaping for theatrical effect
- Balancing vocal and instrumental lines
- Contemporary musical theater style and phrasing