Into the Unknown (from Frozen 2) (arr. Deke Sharon  David Wright) Sheet Music Preview

Into the Unknown (from Frozen 2) (arr. Deke Sharon David Wright): SATB Choral Octavo

By Kristen Anderson-Lopez Robert Lopez / By Robert Lopez / By Kristen Anderson-Lopez / Arranged by David Wright / Arranged by Deke Sharon

Item: 35-DS00472741

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS00472741

More about this title

About the Composer: Kristen Anderson-Lopez Robert Lopez

Kristen Anderson-Lopez and Robert Lopez form one of contemporary music's most successful songwriting partnerships, having created songs for animated films that reach millions of listeners across generations. Their work consistently balances emotional depth with accessibility, crafting melodies that lodge themselves in memory while serving narratives that matter to audiences young and old.

For music educators, their output represents a rare intersection of artistic integrity and practical utility. These are songs written with clear melodic lines, singable ranges, and emotional stakes that resonate in rehearsal rooms and concert halls alike.

Why we love this

This arrangement captures the song's theatrical power while making it genuinely accessible for SATB choirs. The 19-page score gives singers enough musical substance to feel invested, and the barbershop sensibility in the voicing creates the kind of blend and resonance that sounds polished without requiring a professional ensemble.

What to expect

Introspection met with cinematic scope. The voicing has warmth and depth, creating moments of vulnerability between passages of expansive harmony. You get the sense of a singer standing at a threshold, caught between fear and possibility, without the arrangement ever feeling heavy-handed.

Who it's for

Intermediate to advanced SATB choirs with singers who can sustain a legit tone and manage part independence. Directors looking for contemporary repertoire with genuine emotional weight and accessibility will find this particularly useful for concerts aiming to reach both traditional and broader audiences.

How to get the most out of it

  • Treat the opening phrases with restraint. The drama builds through accumulation, not volume, so resist the urge to oversell early sections.
  • Lock the harmonic rhythm between sections before worrying about dynamic shape. Barbershop voicing demands precision in vertical alignment.
  • Encourage altos and tenors to listen keenly to each other; their inner-voice dialogue carries much of the arrangement's color.
  • Record a run-through at rehearsal and play it back. Hearing how the arrangement sits when sung cleanly often clarifies what needs adjustment.

How to use it

Pair this with other contemporary film songs to anchor a concert that celebrates modern songwriting, or use it as a showpiece that demonstrates your choir's range and musicality. The emotional arc also makes it a powerful closing piece for a program that needs a moment of reflection and triumph.

Skills your students will build

  • Sustaining legit tone through sustained passages
  • Part independence in four-part voicing
  • Harmonic listening and blend within SATB texture
  • Expressive phrasing in contemporary idiom
  • Dynamic control across a wide range of volume levels

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