Infernal Galop Cover Image

Infernal Galop: Flexible Concert Band Conductor Score

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Infernal Galop Cover Image

Infernal Galop: Flexible Concert Band Conductor Score

From Orpheus in the Underworld

By Jacques Offenbach / arr. Evan VanDoren

Grade: 3

Item: 98-RWS223801

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Description
Jacques Offenbach's "Infernal Galop", or "Can-Can" as it is more often called, has been reimagined throughout history. From classical composers like Saint-Saëns, to more modern uses in movies, television, and even video games, the timeless appeal of Offenbach's melody is without question. Evan VanDoren's new flexible instrumentation arrangement for concert band is a perfect addition to any concert. Particularly effective as a closing selection or encore, this recognizable flourish will have your audience on their feet. Highly recommended!

Original Item#: RWS-2238-01

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Additional Details
Series: RWS - Custom Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-9720-3
ISBN13: 978-1-4706-9720-4
UPC: 038081613055
SKU: 98-RWS223801

More about this title

About the Composer: Jacques Offenbach

Jacques Offenbach (1819-1880) was a German-born French composer who became the defining voice of French operetta in the nineteenth century. His facility for crafting instantly memorable melodies, combined with his gift for orchestration and theatrical timing, made him one of the most performed composers of his era. The "Infernal Galop" from his 1858 operetta Les Contes d'Hoffmann remains his most recognizable work, transcending classical concert halls to become a staple of popular culture for more than 160 years.

Why we love this

This arrangement captures everything that makes the "Can-Can" work: irresistible rhythmic momentum, instantly recognizable melody, and pure entertainment value. VanDoren's flexible instrumentation means you can perform it with whatever forces you have on any given concert, without sacrificing the piece's infectious energy or impact. It functions as a closing number or encore that audiences across all ages actually want to hear, which is harder to pull off than it sounds.

What to expect

Infectious and irrepressible. The galloping rhythms propel the piece forward with unstoppable momentum while the soaring melody floats above, instantly familiar yet always fresh. You can feel the theatrical spirit of Offenbach's original operetta even in concert band form; there is playfulness and swagger in every bar.

Who it's for

Concert band directors seeking a Grade 3 piece that reliably delights audiences and works as a program closer or encore. The flexible instrumentation option makes it accessible to schools with varying band sizes or instrumentation gaps. Any ensemble that values entertainment and guaranteed audience engagement without sacrificing musicianship.

How to get the most out of it

  • Maintain crisp articulation in the rhythmic figures throughout; this piece lives or dies on rhythmic precision and clarity rather than legato phrasing.
  • Shape the famous melody line with subtle dynamic shaping to keep it singing even at faster tempos; let the accompanying figures provide the drive.
  • Coordinate any flexible instrumentation swaps cleanly during rehearsals so that transitions feel seamless in performance; mark all parts clearly for who plays when.
  • Build the final section with gradual dynamic increase and tempo flexibility if your ensemble is secure; the audience expects excitement and forward motion as you approach the finish.

How to use it

Perfect as the final piece on any concert, particularly when you want to send the audience out energized and smiling. Consider pairing it with lighter fare or contrasting it against more serious selections earlier in the program; its recognizability and accessibility make it an ideal vehicle for demonstrating your ensemble's rhythmic control and ensemble precision to the community.

Skills your students will build

  • Ensemble articulation and rhythmic precision at tempo
  • Balancing melody and accompaniment figures
  • Sight-reading flexible instrumentation arrangements and cuing changes
  • Maintaining energy and ensemble cohesion through repetitive rhythmic material

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