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Infant Holy, Born So Lowly: 4 Saxophones SATBar Conductor Score & Parts

$20.95 USD
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Infant Holy, Born So Lowly Cover Image

Infant Holy, Born So Lowly: 4 Saxophones SATBar Conductor Score & Parts

Traditional / arr. Bill Perconti

Item: 01-ADV7428

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Description
"Infant Holy, Born So Lowly" is one of the oldest traditional Polish Christmas songs and can be found in present day hymnals. A simple folk tune, the origins of this stately melody date from the 13th or 14th century. The lyrics depict a manger song, and the music has been performed as a circle dance.

This arrangement for saxophone quartet (SATBar), rather than favoring a soprano solo with accompaniment, strives to include all the players in the music making by distributing the melodic material. In addition, all dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.

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Additional Details
Series: Advance Music: Holiday Celebration Series
Publisher: Advance Music
ISBN10: 3-892215-82-0
ISBN13: 978-3-892215-82-0
UPC: 805095074284
SKU: 01-ADV7428
Instrumentation: 4 Saxophones SATBar

More about this title

Why we love this

Perconti's arrangement honors the participatory spirit of the original by giving every saxophonist real musical material rather than relegating three players to background support. The minimalist approach to dynamics and articulation markings trusts your ensemble to shape the phrasing collectively, which transforms rehearsal into genuine interpretive work rather than rote execution.

What to expect

Stately and reverent, with the quiet dignity of music that has survived centuries. The melody unfolds gradually across the four saxophones like a gentle dialogue, creating an intimate, meditative quality that feels both ancient and accessible.

Who it's for

Intermediate to advanced saxophone quartets looking for holiday repertoire that respects ensemble equality. This works well for school ensembles, studio groups, or chamber programs wanting a sacred piece that engages all four players meaningfully.

How to get the most out of it

  • Treat the minimal articulation markings as a framework, not a prescription. Discuss how each section wants to shape the phrase and commit to those choices together.
  • Balance the melodic passing between parts by adjusting tone color rather than volume. A warm, unified sound across the quartet matters more than strict dynamic balance.
  • Explore the relationship to the piece's circle dance origins. The steady pulse and distributed melody suggest a processional quality rather than a concert-hall formality.

How to use it

Program this alongside other traditional or arranged sacred music in a winter concert to ground the set in folk roots. Its moderate length and flexible interpretation also make it suitable for holiday chamber performances or community events where saxophone quartets perform.

Skills your students will build

  • Collaborative melodic phrasing across four voices
  • Interpretation and stylistic choice with minimal notation
  • Balancing unity of tone across a single instrument family
  • Reading and playing traditional sacred melody in contemporary arrangement

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