In Wintertime Sheet Music Preview

In Wintertime: SATB Choral Octavo

As performed by Lennox Berkeley

Item: 35-DS00361885

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00361885

More about this title

About the Artist: Lennox Berkeley

Lennox Berkeley (1903-1989) was a British composer whose catalog spans symphonies, concertos, chamber works, and choral music marked by lyrical melody and harmonic sophistication. He studied under Nadia Boulanger in Paris and spent much of his career as a composition professor, shaping generations of British composers while maintaining an active compositional voice throughout his life.

Berkeley's choral writing balances accessibility with musical substance, making his works particularly valuable for choirs seeking material that sounds elegant without demanding virtuosic display. His holiday works sit comfortably in the repertoire of university and community ensembles looking for alternatives to the standard seasonal canon.

Why we love this

Berkeley brings a composer's craftsmanship to seasonal writing; this piece avoids sentimentality while remaining genuinely singable across mixed voices. The two-page format makes it practical for holiday concerts without overwhelming rehearsal schedules, yet the harmonic language gives singers something substantive to shape.

What to expect

Dignified warmth suffuses the piece. Berkeley's harmonic language creates moments of gentle surprise without ever feeling jarring; the overall effect is contemplative and emotionally grounded rather than overtly festive.

Who it's for

This octavo works for intermediate to advanced choirs comfortable with four-part writing and wanting seasonal material beyond the familiar. It suits holiday programs where directors need something that honors the occasion without defaulting to obvious choices.

How to get the most out of it

  • Shape the melodic lines with consistent phrase direction; Berkeley's counterpoint rewards attention to individual voice contour rather than block harmony.
  • Balance text clarity with legit tone quality. The modest page count shouldn't tempt rushed tempos that blur the text.
  • Let the altos and tenors breathe with their inner voices; they carry important harmonic color that shouldn't get buried beneath sopranos.

How to use it

Pair this with other mid-century choral works for a concert exploring how 20th-century composers engaged with seasonal themes, or program it as a sophisticated anchor in a mixed holiday set. Its brevity makes it ideal for concert closers where you want something memorable but not oversized.

Skills your students will build

  • Voice independence in four-part counterpoint
  • Harmonic listening across mixed voicing
  • Sustained legit tone production across phrase lengths
  • Text declamation in non-syllabic harmonic contexts

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