In This Heart (arr. Matt and Adam Podd) Sheet Music Preview

In This Heart (arr. Matt and Adam Podd): SAB Choral Octavo

Arranged by Adam Podd / Arranged by Matt Podd

Item: 35-DS01575054

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01575054

More about this title

About the Arranger: Adam Podd

Adam Podd

Adam Podd is a music director and arranger based in Brooklyn who has collaborated across a wide range of ensembles, from the National Symphony Orchestra and Boston Pops to artists like Idina Menzel and Darlene Love. His work spans concert halls including Carnegie Hall and The Kennedy Center, as well as intimate sacred spaces where he serves as Music Director at First Unitarian Church in Brooklyn.

At First Unitarian, Adam develops arrangements that blur the line between sacred and secular repertoire, creating contemporary choral music that resonates with progressive congregations. He frequently partners with his twin brother Matt on musical projects, including their collaborative work in Mimi & the Podd Brothers, bringing a fresh sensibility to both original composition and arrangement.

Why we love this

Adam Podd's arrangement respects the emotional core of this piece while making it entirely singable for mixed voices at a realistic level. The SAB voicing opens this song to groups that might otherwise pass it by, and the 10-page score suggests an arrangement with enough musical substance to feel complete without becoming unwieldy.

What to expect

This arrangement channels the warmth of Irish folk tradition through a contemporary pop sensibility. The piece likely carries a hymn-like reverence without sounding dated, blending melodic memorability with harmonic sophistication.

Who it's for

Choirs with limited bass resources or those seeking three-part mixed voicing will find this accessible without sacrificing musicality. High school and college choirs, church ensembles, and community groups benefit from Podd's ear for practical voicing and modern harmonic language.

How to get the most out of it

  • Balance the soprano line carefully in section B; it carries the melody but shouldn't overshadow the harmonic support from altos and baritones.
  • Let the opening breathe. Resist the urge to drive the tempo immediately; the arrangement likely builds its power gradually.
  • Work the middle voice parts independently during rehearsal. The alto and baritone lines are probably doing more than simply doubling roots, and they deserve attention.

How to use it

Pair this with other folk-rooted or pop-influenced choral works to build a program that speaks to modern audiences while honoring traditional material. It fits equally well in a secular concert setting or a worship context, making it flexible for spring concerts, interfaith events, or services celebrating community.

Skills your students will build

  • Blending three-part harmony with clarity on each line
  • Singing in a contemporary pop idiom with control
  • Navigating arrangements that bridge traditional and modern styles
  • Sustaining emotional connection through understated, lean voicing

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