In the South, Op. 50 (Alassio) Cover Image

In the South, Op. 50 (Alassio): Full Orchestra Conductor Score & Parts

$210.00 USD
$210.00 USD
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In the South, Op. 50 (Alassio) Cover Image
In the South, Op. 50 (Alassio): Full Orchestra Conductor Score & Parts

In the South, Op. 50 (Alassio): Full Orchestra Conductor Score & Parts

By Edward Elgar

Item: 36-A559602
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In the South, Op. 50 (Alassio): Full Orchestra Conductor Score

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Description
In the South (Alassio), Op. 50 was composed by Edward Elgar (1857-1934) in 1903-1904, during the height of his international success after the Engima Variations and The Dream of Gerontius, following a winter holiday in the Italian Riviera town of Alassio, whose landscape and classical associations inspired this expansive concert overture. The work is inspired by the Mediterranean setting and Elgar's understanding of ancient Roman history, including a lyrical central section originally conceived as a separate viola solo ("Canto Popolare"). In the South was premiered on March 16, 1904, at the Royal Opera House, Covent Garden, conducted by the composer, and was immediately recognized as one of his most impressive orchestral achievements. The work stands as one of Elgar's finest large-scale orchestral compositions, and it remains a regularly performed part of the repertoire. Instrumentation: 3(3rd dPicc).2+1(EH).2+1(BCl).2+1(CBsn): 4.3.3.1: Timp.Perc(2-3): Hp(2): Str (9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: EDWIN F KALMUS
UPC: 604634123304
SKU: 36-A559602
Instrumentation: 3(3rd dPicc).2+1(EH).2+1(BCl).2+1(CBsn): 4.3.3.1: Timp.Perc(2-3): Hp(2): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857-1934) stands as one of the most significant British composers of the late Romantic era. His mastery of orchestral color and large-scale formal structures earned him international recognition during his lifetime, and works like the Enigma Variations and The Dream of Gerontius secured his place as a major voice in twentieth-century concert music.

Elgar's gift for expansive melody, his sophisticated harmonic language, and his profound understanding of orchestral sonorities made him an influential figure in shaping the sound of English musical nationalism. His orchestral works remain central to the concert repertoire and continue to reward both performers and audiences with their architectural grandeur and emotional depth.

Why we love this

In the South delivers everything an orchestra needs to demonstrate sophistication and scope. The work showcases Elgar's mastery of orchestration across all sections, with writing that demands ensemble cohesion and rewards careful attention to balance and phrasing. Programming this piece signals your ensemble's readiness for music of real substance.

What to expect

Warmth, Mediterranean light, and classical grandeur unfold across the score. The work evokes travel, history, and romantic landscape through Elgar's lens, with sweeping themes, lyrical interludes, and orchestral climaxes that convey both intimacy and monumental scale.

Who it's for

Orchestras with secure technical control across all sections and the stamina to sustain an ambitious large-scale work will find in this piece an ideal project for demonstrating maturity. This is repertoire for ensembles ready to move beyond shorter concert works into the concert overture genre as Elgar conceived it.

How to get the most out of it

  • Shape the principal melodic line with long-arc phrasing rather than stopping at bar lines; Elgar's themes breathe across multiple measures and demand an expansive approach.
  • Balance the two harps carefully in their passages, particularly where they color sustained harmonies in the upper woodwinds and strings.
  • Allow the "Canto Popolare" viola solo to sing with vocal warmth against its accompaniment; this lyrical heart requires space and expressive freedom from the supporting players.
  • Attend to dynamic control in the full ensemble sections; Elgar's climaxes depend on a clear hierarchy of voices rather than a wash of sound, so train your players to distinguish foreground from background.

How to use it

This overture functions excellently as a season-opening or standalone symphonic concert feature, where its substantial architecture justifies focused attention. It also pairs naturally with other Elgar orchestral works or with Romantic-era concert overtures, and its demands make it a natural centerpiece for a program built around British compositional heritage.

Skills your students will build

  • Balancing melodic lines across the full orchestra while maintaining harmonic clarity
  • Sustaining ensemble intonation and blend across extended harmonic progressions
  • Reading and responding to detailed dynamic and expressive markings in a large orchestral score
  • Coordinating multiple instrumental choirs with differentiated roles and textures
  • Maintaining formal awareness across a large-scale single-movement work

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