In the Dark of Midnight: SSA Choral Octavo
Words and music by Andy Beck
Item: 00-PO-0003300
Minimum order quantity: 20 copies
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About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged over 450 choral works now in active circulation. His output spans secular chorals, vocal resources, children's musicals, and foundational texts including Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique. His music reaches singers on every continent, and he regularly appears as guest conductor, adjudicator, and clinician for honor choirs, all-state groups, and regional music education programs.
A tenor himself, Beck performs with the North Carolina Master Chorale Chamber Choir and has worked as an Alfred Music studio singer since 1992. He holds degrees in Music Education from Ithaca College and Northwest Missouri State University, and his work across composition, publication curation, and advocacy for choral artistry reflects a sustained commitment to music literacy and ensemble excellence.
Why we love this
Beck writes music that respects singers' expressive capacity without demanding technical heroics. Here, accessible vocal lines and transparent textures allow your ensemble to inhabit the emotional arc rather than fight the notation, making this ideal for singers ready to dig into musicality without prerequisites of advanced technique.
What to expect
A moment of stillness on shore at dusk. The music unfolds with quiet yearning, built from transparent harmonies that shimmer like water catching fading light. Its emotional honesty comes not from dramatic gesture but from careful attention to texture and the spaces between the voices.
Who it's for
This piece serves SSA ensembles at the high school and early college level, particularly those with developing musicianship who benefit from focused repertoire choices. It works equally well in concert choirs seeking meaningful programming, community choruses drawn to character-driven texts, or church music programs looking for contemplative seasonal offerings.
How to get the most out of it
- Shape the phrasing around breath points that honor the text's contemplative pace; avoid rushing through the quieter moments, which are where the piece's intimacy lives.
- Balance the texture by bringing forward the primary melodic line while allowing accompanying parts to recede just enough to maintain harmonic color without cluttering.
- Experiment with space and dynamics in the sections evoking water and memory; subtle variation in volume and articulation can conjure the "whispers on the water" without explicit musical direction.
- Record a run-through and listen back to catch moments where the writing creates natural harmonic interest; often this piece reveals its richness through careful listening rather than heavy-handed interpretation.
How to use it
Pair this with other introspective secular works to create a program arc around longing and memory, or use it as a centerpiece in a concert exploring maritime themes or storytelling in choral music. Its twelve pages and accessible demands make it suitable for fall or winter concerts where sustained, quiet reflection feels appropriate.
Skills your students will build
- Reading SSA voicing with independent lower voice lines
- Shaping long phrases with minimal textual repetition
- Balancing harmonic texture across three parts
- Creating emotional depth through dynamic subtlety rather than technical display
- Interpreting character-driven text as a foundation for musical choices