In That Great Gettin' Up Morning Sheet Music Preview

In That Great Gettin' Up Morning: SATB Choral Octavo

Arranged by Joel Raney

Item: 35-DS00287595

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00287595

More about this title

About the Arranger: Joel Raney

Joel Raney

Joel Raney's musical foundation was laid at a piano keyboard in rural Alabama, where he absorbed the gospel traditions that would become his compositional signature. After earning his choral conducting degree from the University of North Alabama, he pursued advanced keyboard study at Juilliard, then spent decades building an extraordinary catalog of over 300 published works across choral, instrumental, and theatrical genres.

Since 1999, Raney has established himself as one of the most prolific and commercially successful arrangers in church music, serving as Editor for Hope Publishing while maintaining a parallel career in commercial music composition. His work spans Broadway musical direction, television and radio production, solo piano performance, and collaborative concerts throughout North America. His output reflects genuine versatility: cantatas and choral anthems sit alongside handbell compositions, film scores, and keyboard works that consistently chart among bestsellers.

Why we love this

Raney knows how to honor the spiritual roots of this traditional text without sacrificing accessibility or contemporary warmth. The two-page format makes it feasible for directors managing packed rehearsal schedules, while the SATB voicing sits comfortably across mixed ensembles of varying experience levels. His arrangement captures the jubilant energy of the original while giving singers engaging internal lines that prevent any voice part from becoming static.

What to expect

There's a quiet confidence in this arrangement, a sense of unshakeable faith expressed through bright harmonies and a straightforward melodic arc. Singers experience the warmth of communal singing, grounded in the spiritual's original context but enhanced by Raney's sophisticated harmonic palette.

Who it's for

Choirs seeking spirituals and folk hymns that feel both authentic and musically substantial. This works for volunteer church choirs, college groups, and community ensembles looking to add repertoire that connects to American musical heritage without demanding extensive rehearsal time.

How to get the most out of it

  • Balance the melodic weight across voices rather than letting sopranos carry the entire shape. The alto and tenor lines contain essential harmonic movement that colors the arrangement's character.
  • Lean into the rhythmic vitality of the text without rushing; the spiritual's swagger comes from confident articulation and natural phrasing, not from tempo manipulation.
  • Coordinate dynamics as a unified ensemble sound. Raney's voicing benefits from singing through the sustained passages rather than backing off, which maintains the piece's forward momentum.

How to use it

This pairs naturally with other spirituals and hymn arrangements in programs exploring American choral traditions or faith-based themes. Consider pairing it with contrasting tempos or textures to showcase your ensemble's range within a single concert set.

Skills your students will build

  • Blend and balance in SATB voicing with independent harmonic movement
  • Rhythmic precision in spirituals and syncopated folk idioms
  • Sustaining legit tone across sustained harmonic passages
  • Phrasing through text-driven melodic shapes

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