In State Of Independence (arr. Hans Kaldeway): SMATTB Choral Octavo

Kaldeway's arrangement transforms this contemporary vocal piece into something genuinely singable across six parts without sacrificing the lush harmonic language and cinematic scope that define the original. The writing sits comfortably in pop idiom while offering real four-part writing challenges that keep experienced singers engaged.

The piece carries a soaring, hopeful quality rooted in Vangelis's cinematic sensibility. Lush harmonic color and extended vocal lines create an intimate, almost dreamlike atmosphere despite the secular text about connection and solidarity.

This arrangement works beautifully for choirs with at least intermediate reading skills and some experience balancing multiple independent lines. It serves groups seeking contemporary material that feels current without abandoning musicality, and ensembles interested in showcasing pop repertoire at concerts or competitions.

• Balance the blend carefully across all six parts; the SMATTB voicing creates rich vertical color only when no single voice dominates the texture.
• Track the harmonic rhythm closely during sectional rehearsals. Pop arrangements often shift chords in ways that differ from classical practice, and locking those changes together matters more than in traditional choral writing.
• Let the text drive your phrasing and dynamics. Vangelis's melodies sit naturally when you follow speech rhythm rather than imposing metric regularity.
• Explore the recorded accompaniment early to understand the harmonic context and how your arrangement sits within the original production.

Place this alongside other pop arrangements to demonstrate how contemporary writing can achieve the same emotional weight as classical repertoire. It pairs well with other Vangelis recordings or other film music arrangements in a themed concert. Consider using it as a showcase moment late in a program where your singers can fully display their blend and control.

• Reading and balancing six-part texture (soprano, mezzo-alto, alto, tenor, baritone, bass)
• Sustaining melodic line through shifting harmonic contexts
• Blending vowels across multiple voice parts in contemporary harmonic language
• Responding to pop phrasing conventions within arranged choral writing
• Navigating extended range requirements in mixed ensemble voicing