In Spite Of Ourselves (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

In Spite Of Ourselves (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by John Prine / Arranged by Jim Beloff

Item: 35-DS01529938

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Description

In Spite Of Ourselves (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS01529938

More about this title

About the Artist: John Prine

John Prine stands as one of American music's most distinctive songwriters, blending folk, country, and blues sensibilities with wry humor and profound humanity. His career spanning decades has made him essential listening for anyone studying how narrative and melody intersect in popular song.

Why we love this

Jim Beloff's arrangement captures the song's offbeat charm and conversational warmth in a format that ukulele players at various levels can access. The two-page scope makes it manageable for a lesson or casual performance while preserving the original's character and humor.

What to expect

Wry and affectionate, like overhearing two people who genuinely enjoy each other's company trading jabs and compliments. The arrangement captures that conversational ease while maintaining the slight melancholy underneath the humor.

Who it's for

Ukulele students who are ready to work with fingerpicking arrangements and appreciate songs rooted in storytelling. This works well for intermediate players comfortable with chord changes and melodic expression.

How to get the most out of it

  • Lean into the conversational phrasing of the lyrics; let the melody breathe rather than rushing through the lines.
  • Balance the fingerpicking pattern with clarity in the melody notes so the story comes through without getting lost in accompaniment texture.
  • Pay attention to dynamics in the verse sections to set up the emotional peaks when they arrive.

How to use it

Include this in a repertoire showcase celebrating singer-songwriters, or use it as a bridge piece between folk standards and contemporary country material. Its short length makes it ideal as an encore or a standalone feature in a casual concert setting.

Skills your students will build

  • Fingerpicking patterns with independent melodic and accompaniment lines
  • Phrasing that prioritizes lyrical storytelling over technical display
  • Chord transitions at moderate tempos
  • Dynamic control across verse and chorus sections

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