In Recital® Duets, Volume One, Book 6 Cover Image

In Recital® Duets, Volume One, Book 6: Piano Book

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In Recital® Duets, Volume One, Book 6 Cover Image

In Recital® Duets, Volume One, Book 6: Piano Book

Edited by Helen Marlais

Item: 98-FJH1615

$10.50
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Description
In Recital® Duets, Book 6 takes every thing up a notch by adding more complicated sixteenth and triplet figures, and tackles the more advanced ensemble issues in regard to pedaling and modulation. Features arrangements of Hungarian Rhapsody No. 2; Funiculì Funiculà ; Irving Berlin's - I Love a Piano; Rondo alla Turca and many more, plus originals.

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Additional Details
Series: The FJH Pianist's Curriculum
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-520-9
ISBN13: 978-1-56939-520-2
UPC: 674398219209
SKU: 98-FJH1615

More about this title

Why we love this

The repertoire mix here is genuinely smart: you get recognizable titles like Hungarian Rhapsody No. 2 and Rondo alla Turca alongside lighter fare like "I Love a Piano," so students stay engaged while tackling real technical demands. The original pieces round out the collection with writing that's specifically designed for duet partnership rather than adapted from solo literature. By the time pianists reach Book 6, they're ready for the pedaling and modulation challenges this collection presents without hand-holding.

What to expect

This is where duet playing stops being "easier than solo" and becomes genuinely challenging. You're managing your own technical passage work while staying locked in with a partner navigating equivalent difficulties. The familiar titles bring immediate musicality; the originals demand careful attention to voicing and independence.

Who it's for

Intermediate to late intermediate pianists working through a structured curriculum who benefit from duet literature that matches their technical growth. Students at this level can handle rhythmic complexity and harmonic sophistication without losing sight of ensemble balance and listening skills.

How to get the most out of it

  • Work the triplet and sixteenth-note figures separately in each hand before combining them; the rhythmic density here rewards slow-tempo drill work.
  • Map out all modulations in advance, marking key changes and any enharmonic spelling that might trip you up during sight-reading.
  • Establish pedaling cues between partners before the first rehearsal so the ensemble doesn't cloud together; late intermediate duets often suffer from over-pedaling in the name of "sound."

How to use it

Slot these into a late fall or winter concert pairing duets with solo repertoire from the same student; the pedagogical progression becomes visible to audiences. Alternatively, use individual pieces throughout the year as technical checkpoints, assigning a new arrangement every 3-4 weeks as part of the weekly practice rotation.

Skills your students will build

  • Reading and executing sixteenth-note figures in both hands simultaneously
  • Navigating triplet rhythms against straight sixteenth patterns
  • Managing pedal changes across modulations without muddying harmony
  • Balancing ensemble independence with rhythmic precision in duet contexts
  • Recognizing and interpreting key shifts in arrangements of familiar music

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