In My Father's Hands (arr. Faye Lopez): SATB Choral Octavo

Warm and introspective, with the kind of harmonic sincerity that reminds singers why they joined the choir in the first place. The text and music create space for reflection rather than spectacle, drawing listeners into a moment of quiet spiritual presence.

Choirs working at the intermediate SATB level who want repertoire that serves both liturgical contexts and concert programs. This piece works equally well for church choirs looking to expand their sacred catalog and school ensembles preparing for spring or fall concerts.

• Build the text's emotional arc gradually through dynamics rather than tempo manipulation. The lyrical content demands careful phrasing that lets words breathe naturally.
• Balance the parts so no single voice dominates the harmonic progression. This octavo's effectiveness rests on blend and transparency across all four voices.
• Record a sectional rehearsal to isolate any rhythmic irregularities early. Eight pages goes quickly if singers are secure in their individual lines.

Pair this with other contemporary sacred works for a thematic concert exploring faith and family, or use it as a centerpiece in a shorter sacred set within a larger mixed repertoire program. The modest page count makes it ideal for directors building a concert around multiple shorter pieces.

• Reading four-part harmony and maintaining independent voice lines in supported textures
• Interpreting text through dynamic shaping and articulation choices
• Balancing blend across SATB voicing while preserving individual line clarity
• Sustaining legit tone in passages emphasizing verticality over rhythmic momentum