In My Dream Cover Image

In My Dream: 2-Part Choral Octavo

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In My Dream Cover Image

In My Dream: 2-Part Choral Octavo

Words and music by Andy Beck

Item: 00-41659

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Description
This highly imaginative gem feels as though it comes from the pages of a classic storybook. We're off on a fantastical adventure, including a magic carpet, a grand kingdom, and a crystal sea. Just before the end, an unexpected modulation takes us further on the journey, to a place where dreams come true.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, In My Dream: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081467399
SKU: 00-41659

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 works for choirs, vocalists, and young performers. His vocal resources and children's musicals reach singers around the world; a glance at YouTube performance videos shows the breadth and reach of his catalog. He holds degrees in Music Education from Ithaca College and Northwest Missouri State University and has served as a guest conductor, clinician, and adjudicator for honor choirs across the country, including all-state ensembles throughout the Southeast.

Beyond his publishing role, Beck is an active musician and educator. He performs as a tenor with the North Carolina Master Chorale Chamber Choir, directs and performs in musical theatre, and has contributed to Alfred Music's studio recordings since 1992. His work as a conductor, choreographer, and clinician reflects a deep commitment to choral artistry and music literacy. This dedication shapes both his original compositions and the thoughtful choral publications he oversees.

Why we love this

Beck's gift for narrative through music shines here. The piece unfolds like a storybook set to song, complete with vivid harmonic painting and a strategic modulation that genuinely surprises without feeling forced. For a 2-part choir, this is surprisingly sophisticated storytelling that holds singers' attention from the opening curtain to the final dreamscape.

What to expect

Stepping into a beloved fairy tale. The music sparkles with whimsy early on, inviting singers and listeners alike into a magical world. As the piece unfolds, harmonic layers deepen and that unexpected modulation lifts everything into something transcendent, as if the dream itself has taken flight.

Who it's for

Middle school and high school choirs exploring secular concert repertoire that entertains without talking down to singers. It works equally well for contest and festival performances, where imaginative storytelling and musical coherence both matter.

How to get the most out of it

  • Shape the harmonic colors deliberately. The journey from magic carpet to crystal sea to that final modulation works best when each section feels like a distinct destination, not just a collection of moments.
  • Let the text drive your phrasing. This piece breathes naturally when singers commit to the imagery. The fantastical subject matter gives you permission to be slightly more romantic and open with vowels than you might otherwise.
  • Balance blend and clarity in the 2-part writing. With only two voice parts, intonation and vowel matching become even more audible, so attention to vertical alignment pays immediate dividends.

How to use it

This pairs naturally with other secular concert pieces in a spring concert or festival program where you want to showcase your choir's range. The 12 pages and 2-part voicing make it accessible for less experienced singers while remaining engaging for stronger choirs, making it an effective centerpiece for a mixed-level concert.

Skills your students will build

  • Sustaining melodic line and phrasing across longer sections
  • Navigating unexpected key changes with secure intonation
  • Connecting text imagery to vocal tone and expression
  • Balancing two-part independence while maintaining harmonic unity

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