In Honor of Sitting Bull (Version for Violoncello and Piano) Cover Image

In Honor of Sitting Bull (Version for Violoncello and Piano): Cello Book

$63.00 USD
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In Honor of Sitting Bull (Version for Violoncello and Piano) Cover Image

In Honor of Sitting Bull (Version for Violoncello and Piano): Cello Book

Concerto for Violoncello and Orchestra

By David Amram

Item: 98-EP66955A

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 56
ISBN10: 0-30-073235-X
ISBN13: 979-0-3007-3235-0
SKU: 98-EP66955A

More about this title

About the Composer: David Amram

David Amram is an accomplished composer, conductor, and multi-instrumentalist whose career spans more than seven decades. A pioneer in bringing jazz, folk, and classical idioms into dialogue with one another, Amram has created works across symphonic, chamber, operatic, and film contexts. His music draws deeply from American cultural traditions and historical subjects, often centering voices and narratives that deserve broader recognition.

Why we love this

Amram's tribute to Sitting Bull honors a crucial American historical figure through music that engages both cellist and pianist as equal storytellers. The work resists easy sentimentality; instead, it offers genuine musical substance that rewards careful interpretation and mature artistic sensibility.

What to expect

The music carries a reflective, dignified quality that honors its subject without resorting to programmatic obviousness. It balances lyricism with structural rigor, asking the cellist to inhabit both intimate song and broader ceremonial statements.

Who it's for

This work is suited to advanced cellists who seek repertoire with historical and cultural weight beyond standard virtuosic display pieces. Pianists and cellists performing together at the advanced amateur or professional level will find a substantial collaboration that demands real musicianship from both performers.

How to get the most out of it

  • Approach the dynamic arc across the full 56-page span as a narrative arc rather than isolated sections. Plan your practice schedule to connect large-form ideas rather than working movement by movement in isolation.
  • The pianist's role is integral to the work's character. Schedule joint rehearsals early and frequently; this is not a piece where the cello carries the music while the piano provides accompaniment.
  • Research Sitting Bull's historical context and the cultural significance of the work's dedication. Understanding the subject deepens your interpretive choices and your ability to communicate the piece's intent to audiences.

How to use it

This piece works powerfully on recitals devoted to American composers or to concert programs examining American history through music. Its substantial length and artistic ambition make it an anchor work rather than a lighter offering, well-suited to mid-program placement where it can command full attention.

Skills your students will build

  • Sustaining long melodic lines across full range of the cello
  • Collaborative interpretation with an equal chamber music partner
  • Navigating dynamic and tonal contrasts over an extended form
  • Connecting technical facility with interpretive and cultural context

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