In December Sheet Music Preview

In December: 2-Part Choral Octavo

Music by Jay Althouse

Item: 00-PO-0004142

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
You will not find a more hauntingly beautiful piece for your December concerts than this one. The text ("In December we remember our traditions new and old.") focuses on the candle, used as a symbol for ALL December holidays. And the melody, underscored with rich harmonies, is as pensive and thoughtful as the holiday season should be. Your singers and audiences will be touched by its power and simplicity. Beautiful but optional clarinet parts are included in the publication.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0004142
Instrumentation: Opt. 2 Clarinets

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied Music Education and Music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both the publishing and composition worlds: he spent eight years as a rights and licenses administrator at a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has more than 800 choral works in print and is recognized internationally as a leading voice in choral music for singers at all levels.

Althouse is an ASCAP writer member and a regular recipient of the ASCAP Special Award for his compositions. Beyond his choral output, he has co-written children's musicals with Sally K. Albrecht, compiled vocal solo collections, and authored instructional resources including The Complete Choral Warm-up Book, Accent on Composers, and classroom reproducibles. His work earned national prominence when he and Albrecht co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. He currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

This piece accomplishes something rare: it honors the spiritual and cultural weight of December without naming a single holiday by name. The candle as universal symbol creates space for every singer and listener in your audience, and the text's acknowledgment of both new and old traditions invites genuine reflection rather than rote sentiment. Althouse's melody sits naturally for young voices while the harmonies demand attention, making this both accessible and artistically substantial.

What to expect

The piece draws you inward. Its melody feels familiar even on first hearing, yet the harmonies beneath it create an understated richness that prevents the music from ever becoming saccharine. You're left with a quiet sense of contemplation, the kind that comes from acknowledging what matters and what endures.

Who it's for

Directors seeking repertoire that honors multiple December observances without privileging any single tradition. This works equally well in school and community choirs with treble or mixed voices, and it engages singers who may feel excluded by repertoire that assumes a single religious or cultural framework.

How to get the most out of it

  • Shape the phrasing around the text's natural breath points rather than the bar lines; let the meaning of 'remember' and 'traditions' land with unhurried clarity.
  • If using the optional clarinet parts, keep them delicate and supportive rather than prominent; they should enhance the vocal line without competing for attention.
  • Consider how your singers are seated or spaced on stage; the pensive quality works best when the audience can see facial expression and feel the intimacy of the writing.
  • Experiment with dynamic restraint in rehearsal first. This piece reveals its power through understatement, not volume.

How to use it

Program this as an anchor for a December concert that celebrates cultural and religious diversity, pairing it with secular songs and pieces from other traditions. Its length and character also make it suitable as a reflective moment between more energetic selections, or as the closing piece of a program centered on winter themes and holiday unity.

Skills your students will build

  • Sustaining tone quality across phrase endings without dropping energy
  • Blending two-part harmony while maintaining individual line awareness
  • Interpreting text with emotional authenticity rather than literal expression
  • Pacing and breath management in lyrical writing

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