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Improvisations & Interludes: Late Intermediate Piano Book

$9.50 USD
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Improvisations & Interludes: Late Intermediate Piano Book

Arranged by Teresa Wilhelmi

Item: 98-FJH1360

$9.50
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Description
This volume of contemporary Christian favorites is arranged by Teresa Wilhelmi with her trademark light jazz touch. An ideal resource for church-based banquets or for wedding or anniversary receptions, the book features main arrangements with shorter interludes, which may stand alone, or be used as extended introductions to the arrangements. A Federation Festivals 2024-2028 selection.

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Additional Details
Series: The FJH Sacred Piano Library
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-333-8
ISBN13: 978-1-56939-333-8
UPC: 674398213399
SKU: 98-FJH1360

More about this title

About the Arranger: Teresa Wilhelmi

Teresa Wilhelmi is an arranger known for bringing a contemporary jazz sensibility to sacred and liturgical music. Her work across the FJH Sacred Piano Library demonstrates a consistent gift for making classic hymns and Christian favorites accessible to intermediate pianists while preserving their spiritual character.

Why we love this

Wilhelmi's arrangements strike a genuine balance between accessibility and musicality. The interludes work as standalone pieces or natural extensions of the main arrangements, giving you flexibility for service music, receptions, or quiet moments that need exactly the right length and texture without feeling either precious or overly simplified.

What to expect

Contemporary and warm without being trendy. The light jazz arrangements create a welcoming atmosphere, neither hymnal-stiff nor pop-inflected, with enough harmonic interest to hold a pianist's attention across a full program.

Who it's for

Late intermediate pianists who want engaging church music that doesn't demand advanced technique but does reward musical maturity. This book also serves directors and musicians planning wedding receptions, anniversary celebrations, or church banquets where live piano music needs to be both substantial and unobtrusive.

How to get the most out of it

  • Let the jazz voicings breathe; resist the urge to fill every space with pedal. Clarity of harmony is what makes these arrangements work.
  • Use the shorter interludes as palate cleansers between fuller arrangements if you're playing multiple pieces in succession.
  • Pay attention to the touch required in left-hand comping figures; they set the groove but shouldn't overshadow the melody.

How to use it

These arrangements work beautifully as prelude and postlude music for church services, or as the backbone of a reception program where you need variety without constant key changes or technical surprises. Select interludes to fill gaps between speeches or meals; use main arrangements as substantive pieces that anchor the musical experience.

Skills your students will build

  • Interpreting jazz voicings and chord extensions
  • Balancing melody and comping figures in contemporary contexts
  • Sight-reading figured bass and lead-sheet style notation
  • Managing tempo and groove in a swing-influenced style
  • Sustaining musical interest across pieces of varying length

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