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Improve Your Sight-Reading! Violin, Level 6 (New Edition): Violin Book

$11.95 USD
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Improve Your Sight-Reading! Violin, Level 6 (New Edition) Cover Image

Improve Your Sight-Reading! Violin, Level 6 (New Edition): Violin Book

A Progressive, Interactive Approach to Sight-Reading

By Paul Harris

Level: Late Intermediate

Item: 12-0571536662

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Description
The UK's best-selling series, Improve Your Sight-Reading! is now available in an edition ideal for the U.S. market and guaranteed to improve sight-reading! This workbook is designed to help overcome the nerves that can cause sight-reading problems by giving sound technical advice and confidence-boosting tips. Step-by-step it helps the violinist to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of a prepared piece with associated questions for the student to answer, and finally '"going solo" with a series of carefully progressive sight-reading pieces. Check boxes for each stage allow both teacher and student to keep an eye on progress.

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Additional Details
Series: Faber Edition: Improve Your Sight-Reading
Publisher: Faber Music
ISBN10: 0-571-53666-2
ISBN13: 978-0-571-53666-5
UPC: 9780571536665
SKU: 12-0571536662

More about this title

About the Author: Paul Harris

Paul Harris

Paul Harris studied at the Royal Academy of Music and the University of London before becoming one of Britain's most prolific music educators. His output exceeds 500 publications, and his pedagogical frameworks have shaped instrumental instruction across multiple continents. Harris developed Simultaneous Learning, an approach to instrumental and vocal teaching that balances rigor with creative problem-solving, earning recognition in workshops and seminars throughout the UK, North America, and Asia.

His reputation rests on a distinctive blend of thoroughness, imagination, and pragmatism. Rather than theoretical abstraction, Harris builds teaching materials that work in real studios and classrooms. Faber Music publishes his extensive catalog, which includes the internationally recognized Improve Your Teaching! series alongside these sight-reading workbooks.

Why we love this

This workbook strips away the mystique of sight-reading by treating it as a skill that develops through structured, confidence-building work rather than sheer exposure. Harris's scaffolding approach isolates rhythmic and melodic challenges first, then pairs them with a prepared piece that students can study thoroughly before tackling fresh material, which means your students aren't drowning in unfamiliar notation during lessons. The progress checkboxes give both you and your violinists concrete evidence of growth, turning what feels like an abstract skill into something measurable and achievable.

What to expect

Purposeful and reassuring. Each page builds confidence by naming the problem, showing you how to solve it, and then rewarding that work with fresh material you can read successfully. There's no wasted motion; every exercise connects to something your students will encounter in the wild.

Who it's for

Late-intermediate violinists (Grade 6+) who struggle with sight-reading anxiety or who need a methodical path to building fluency with unfamiliar notation. Teachers working with students who benefit from explicit instruction in rhythm and melody before tackling a full piece will find this workbook a reliable resource for targeted skill-building.

How to get the most out of it

  • Before assigning the sight-reading pieces, work through the preliminary rhythmic and melodic exercises with your students so they develop a shared vocabulary for the specific problems each section addresses.
  • Have students mark up the prepared piece with bowings, fingerings, and interpretive notes before discussing it, then use the accompanying questions to anchor your lesson toward deliberate problem-solving rather than passive listening.
  • Rotate responsibility by asking a student to lead the analysis of the prepared piece some weeks, building their ability to notice and articulate the technical and musical choices on their own.
  • Pair the 'going solo' pieces with low-stakes performances for peers or recorded practice sessions, which reframes sight-reading as something active and musical rather than a test of memory.

How to use it

Integrate this into your weekly lesson routine as a standalone component, dedicating 10-15 minutes per session to work through one section at a time rather than trying to race through it. The workbook's modular structure means you can weave it into lessons across an entire school year without competing for space in your rehearsal schedule.

Skills your students will build

  • Reading and interpreting rhythmic patterns in isolation before encountering them in melodic context
  • Identifying melodic shape and intervallic relationships as reading aids
  • Building left-hand fluency across string positions required in each piece
  • Sustaining focus during sight-reading without stopping or restarting
  • Self-assessment through guided questions about prepared pieces
  • Managing the cognitive load of unfamiliar notation through systematic previewing

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