Improve Your Sight-Reading! Saxophone, Grades 1-5 (New Edition) Cover Image

Improve Your Sight-Reading! Saxophone, Grades 1-5 (New Edition): Saxophone Book

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Improve Your Sight-Reading! Saxophone, Grades 1-5 (New Edition) Cover Image

Improve Your Sight-Reading! Saxophone, Grades 1-5 (New Edition): Saxophone Book

A Workbook for Examinations

By Paul Harris

Item: 12-0571540201

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Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve Your Sight-Reading! Saxophone Grades 1--5 is designed to help overcome all the stumbling blocks to successful sight reading. Step by step you will build up a complete picture of each piece, first through rhythmic, melodic, and technical exercises, then by studying prepared pieces, and finally by going solo with a series of meticulously graded sight-reading pieces.

This new edition of the best-selling Improve Your Sight-Reading! series contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria.

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Additional Details
Series: Faber Edition: Improve Your Sight-Reading
Publisher: Faber Music
ISBN10: 0-571-54020-1
ISBN13: 978-0-571-54020-4
UPC: 9780571540204
SKU: 12-0571540201

More about this title

About the Author: Paul Harris

Paul Harris

Paul Harris studied at the Royal Academy of Music and the University of London before becoming recognized as one of Britain's most influential music education theorists. His output spans over 500 publications, including the internationally adopted Improve Your Teaching! and Improve Your Sight-Reading! series, all grounded in his Simultaneous Learning approach.

Harris's method combines methodical progression with creative problem-solving and real-world classroom application. He remains a sought-after clinician across the UK, North America, and Asia, and continues to refine his pedagogical frameworks through ongoing work with educators and students. His publications with Faber Music have shaped instrumental teaching practice globally.

Why we love this

Harris's Simultaneous Learning architecture is the backbone here. Rather than asking students to sight-read cold, he scaffolds every piece with targeted rhythm, melody, and technique work first, then provides prepared repertoire before advancing to genuine sight-reading challenges. The 2024 edition aligns with current ABRSM standards, so your students practice exactly what they'll encounter in assessments and real-world performance situations.

What to expect

Structured yet rewarding. Each step forward feels earned rather than rushed. The sight-reading pieces themselves are musical and engaging, not mechanical drill work, so students experience the satisfaction of playing real music while building competence.

Who it's for

Saxophone students in grades 1 through 5 who need systematic, confidence-building sight-reading instruction. Teachers and private instructors working toward ABRSM certification or simply aiming to develop strong reading skills across their studio will find the graded progression and methodical approach invaluable.

How to get the most out of it

  • Work through the preparatory exercises for each piece before attempting the sight-reading section. These aren't busywork; they address the specific technical and rhythmic hurdles embedded in what follows.
  • Use a consistent tempo marking for each piece. Metronome work during the preparation phase transfers directly to steadier sight-reading performance.
  • Revisit earlier graded pieces regularly. Confidence builds when students recognize familiar patterns and can read them fluently without hesitation.

How to use it

Integrate this as your core sight-reading curriculum for band or studio settings. Use it across the academic year, working through one or two grade levels per semester, or assign specific chapters as preparation for ensemble reading sessions or solo performance requirements.

Skills your students will build

  • Rapid melodic recognition and pattern identification
  • Rhythmic accuracy across changing time signatures and note values
  • Technical fluency in common key signatures and articulations for saxophone
  • Confidence translating notation to sound without extended study time
  • Independence in approaching unfamiliar repertoire

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