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Improve your scales! Piano Initial Grade: Piano Book

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Improve your scales! Piano Initial Grade Cover Image

Improve your scales! Piano Initial Grade: Piano Book

A Workbook for Examinations

By Paul Harris

Level: Early Elementary

Item: 12-0571541704

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Description
Paul Harris's brilliant series of workbooks contains not only the complete scales and arpeggios for the current ABRSM, Trinity and LCM Initial-level exams but also uses finger fitness exercises, scale, and arpeggio studies, key pieces and simple improvisations to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Piano Initial Grade covers all the keys and ranges required for each syllabus, helping you pick up valuable extra marks in exams.

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Additional Details
Series: Improve Your Scales
Publisher: Faber Music
Page Count: 24
ISBN10: 0-571-54170-4
ISBN13: 978-0-571-54170-6
UPC: 9780571541706
SKU: 12-0571541704

More about this title

About the Composer: Paul Harris

Paul Harris

Paul Harris trained at the Royal Academy of Music and University of London before becoming one of Britain's most prolific music educators. His catalog exceeds 500 publications, and he's the architect of Simultaneous Learning, a pedagogical approach now used internationally by instrumental and voice teachers. Harris writes regularly for music education journals and leads workshops across the UK, USA, and Asia, combining scholarly rigor with intensely practical classroom solutions.

His work is defined by a rare balance: methodical scope without tedium, creative problem-solving grounded in how students actually learn, and materials that feel genuinely useful rather than formulaic. Publishers like Faber Music have made his methods accessible to teachers worldwide, and his Improve Your series has become essential reference material for exam preparation and daily practice.

Why we love this

Harris built this workbook from the ground up to address what exam candidates actually need: not just scales and arpeggios memorized, but understood and played with security. The finger fitness exercises act as scaffolding, the studies give context, and the key pieces and improvisations turn abstract technical patterns into musical experience. It's the difference between cramming before an exam and building real command over the material.

What to expect

Purposeful and grounded. Rather than feeling like busywork leading up to an exam, these exercises and pieces make you realize that scales are the foundation of every melody you'll ever play. By the time you reach the exam, the material feels known, not just memorized.

Who it's for

ABRSM, Trinity, and LCM students preparing for Initial-level exams need a resource that goes beyond listing the required scales and arpeggios. This book is for pianists (and their teachers) who want the security that comes from understanding why each pattern works, not just executing it on command.

How to get the most out of it

  • Start with the finger fitness exercises cold, before you've warmed up on anything else. Your fingers are fresher and the habits you build will transfer directly to the exam scales.
  • Play the studies slowly enough that you hear the pattern within each arpeggio or scale passage. Speed comes after clarity, not before.
  • When you improvise in the given key, use the key pieces as models for phrasing and shape. This trains you to hear scales as musical material, not just finger patterns.
  • Record yourself playing each key's assigned piece and study, then listen back. You'll catch rhythmic unevenness and tension that you can't always hear in real time.

How to use it

Use this as the spine of exam preparation for your early elementary students beginning in September or January. The progression through keys mirrors most exam syllabi, so you can assign sections chapter by chapter as the year unfolds. Pair it with your student's core lesson book rather than treating it as separate; the scales become reinforcement rather than an obligation.

Skills your students will build

  • Five-finger patterns and hand position stability across all Initial-level keys
  • Arpeggio voice leading and quick chord recognition
  • Even finger independence within scale passages
  • Identifying tonal center through improvisation in a given key
  • Sight-reading of key signatures and scale notation across the required exam range
  • Exam confidence through systematic, progressive study of required material

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