Impetus Cover Image

Impetus: Concert Band Conductor Score & Parts

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Impetus Cover Image

Impetus: Concert Band Conductor Score & Parts

By Randall D. Standridge

Grade: 2.5 (Easy to Medium Easy)

Item: 00-49126

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Description
Impetus is an intense concert opener by composer Randall Standridge that begins with a bang before settling into a 3/4 groove. Melodic moments for all voices, colorful orchestration, and creative percussion writing combine make Impetus an entertaining selection that is sure to engage players and audiences alike. (2:20)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Impetus: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 170
ISBN10: 1-4706-4642-0
ISBN13: 978-1-4706-4642-4
UPC: 038081565286
SKU: 00-49126

More about this title

About the Composer: Randall D. Standridge

Randall D. Standridge is a prolific composer and arranger whose work spans concert band, jazz, and choral literature. His compositions are known for their accessible writing, strong melodic content, and ability to engage both student musicians and audiences. Standridge has established himself as a trusted voice in music education, with pieces that balance artistic substance and practical teachability across grade levels.

Why we love this

Standridge nails the concert opener formula here: maximum impact in the first eight bars followed by genuine musicality that sustains interest. The 3/4 groove gives your band something rhythmically fresh to sink their teeth into, while distributed melodic lines mean your section leaders and developing players both get rewarding moments to own. Contest festivals love this piece because it checks all the boxes without asking your band to overextend technically.

What to expect

Impetus delivers kinetic energy from the downbeat, then settles into a confident groove that swings with contemporary coolness. The orchestration creates colorful dialogue across the band, giving it a polished, professional quality despite its accessibility. By the final moments, the piece leaves audiences and players alike with momentum and a sense of musical purpose.

Who it's for

Directors of mid-level concert bands looking for an opener that energizes without requiring advanced virtuosity. This piece fits well for groups at the Grade 2-2.5 range who are building confidence in articulation, rhythmic precision, and section blend. It's equally suited for contest festivals, concert series, or any program needing a strong first impression.

How to get the most out of it

  • Attack the opening with precision and unified articulation across the full band. The impact comes from clarity, not volume alone.
  • Let the 3/4 section breathe with a relaxed swing feel. Avoid rushing; the groove benefits from laid-back conviction.
  • Balance the colorful percussion writing carefully so it supports rather than masks the melodic lines. Mallets should sit in the mix, not on top.
  • Shape each melodic phrase beyond its individual section. Even when the trumpet line or clarinet choir carries the tune, think orchestrally about the overall arc.

How to use it

Open your concert or contest set with this. Its 2:20 duration and immediate impact make it ideal for first-on-the-podium slots where you need to command attention quickly. Follow it with a contrasting work to give your band (and audience) a chance to shift gears, then return to Impetus later in the season as a confidence builder for younger ensembles or smaller festival settings.

Skills your students will build

  • Unified articulation in fast-moving passages
  • Rhythmic precision and independence in mixed meters (2/4 and 3/4 contexts)
  • Section blend and balance within full ensemble scoring
  • Reading colorful orchestrations with distributed melodic responsibility
  • Groove-based feel and rhythmic phrasing in contemporary idioms

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